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Being Told to “Pick a Lane” as an Author? Read This

Being told to “pick a lane” for your story and revise to fit a genre? Maybe the manuscript doesn’t need to change, but your language for selling it does.
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When and How to Nudge Agents

If you haven’t heard back from an agent, you might consider sending the agent a nudge. Here’s how.
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After Editing Two AI-Assisted Manuscripts, I Rewrote My Client Agreement

Inexperienced authors may believe generative AI use improves their manuscript, but there’s a cost—extra fees charged by freelance editors.
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Why Your Book Description Feels Flat—and How to Fix It

Even though promotional copy for your novel or memoir is necessarily brief, effective ones take readers on an emotional journey.
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How a Debut Self-Published Novel Earned Five Figures in 10 Weeks Without Kindle Unlimited

With no platform and no publisher behind her, Ashli O'Connell built a six-month pre-launch plan around a single question she'd been asking marketing clients for 25 years: what is your goal?
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Choosing the Right Voice for Your Audiobook

Choosing your audiobook’s narrator has a bigger impact than you might think. Here are casting tips from a veteran narrator and producer.
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Your Premise Is Not Your Plot

A premise is the seed of a story, not its structure. Learn how to turn a what-if into a plot.
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Why You Should Focus on Local Book Publicity First

People take pride in supporting someone from their community, and readers are far more likely to buy a book if they feel a personal connection to the author, even a small one.
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Don’t Leave Your Reader Searching for Meaning: The Importance of Protagonist Context

Any element of a story has the potential to be positive or negative, helpful or harmful. Your character’s context provides the frame of reference.
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How to Center Your Story When Writing About the People in Your Life

When writing about a significant relationship, here are some tips to make sure you don’t end up a supporting player in your own story.
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Working With Contributors: The Power of Many in Anthology Promotion

When editors provide resources for contributors to support anthologies, they can help increase engagement and market visibility in ways that matter.
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How to Sell a Book About Your Favorite TV Show in 2026

The TV-book subgenre has grown harder to break into as rewatch podcasts and celebrity memoirs crowd out journalists. Here are practical tips for choosing a show and pitching a proposal today.
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Why Your Story Feels Choppy (Even When the Plot Is Solid)

Transitioning from one scene to another may seem trivial, but it’s crucial to help orient readers and conduct them smoothly through the story.
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How to Turn an Anecdote Into a Story

For an anecdote (“You won’t believe what I saw!”) to grow into an impactful story, a surprise element isn’t enough—real change needs to occur.
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Why Artists Owe the Work and Not the World

The artist’s responsibility is not to repeat what’s been done, but to become fully themselves by following wherever the work leads.
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How Stillness Can Help Us Write Powerful Scenes

Sitting still with minor physical discomforts builds mental strength that, applied to your writing, helps you write emotionally difficult scenes.
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Your Creative Team Wants You to Stop Formatting and Just Write the Darn Book

Learn how to prepare clean Word manuscripts and mark PDFs for book production—avoiding unnecessary formatting and using styles correctly to save time.
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Finding Your Voice as a Writer in the Age of AI

Life experiences are what create your voice, brand you as an author, and make your writing worth reading.
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Start With the End: A Simple Bookend Structure for Novelists

Before writing your novel, imagining the first and last scenes can help clarify the story’s point and the reader’s emotional journey.
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How Scene Writing Helps You Lose Control (and Find Your Memoir’s Story)

Pay close attention to any surprising details or patterns in your memoir’s scenes—they often point to the story that really wants to be told.
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The Value of Legacy: Encouraging the Heirloom Picture Book Author

If you’re writing for an audience of one, not thousands, creating a picture book for the child in your life is a goal within reach.
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Resolution Isn’t the Only Payoff: What Short Stories Teach Us About Endings

With other essential elements in place, short story writers can consider leaving an ending ambiguous, with room for the reader to ruminate.
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Not All Main Characters Need to Be Likeable

Discomfort with “unlikeable” female characters may reflect readers’ own biases and have little or nothing to do with the quality of the writing.
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One Way to Tell If a Publisher Actually Has Distribution

When working with a small press or hybrid publisher, it’s crucial to understand the difference between mere availability and true distribution.
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What Promise Does Your Book Make?

Not only must nonfiction books offer solutions, they must also share the promise being made—the emotional outcome the reader will achieve.