Award-winning author Jane K. Cleland explains how to implement the slow reveal to add suspense to your writing.
A plot planner enables you to keep the larger picture of your story in full view as you concentrate on writing individual scenes.
For a love scene to move readers, it must embody the principle of restraint—in dialogue, in description, and in the characters’ actions.
Author Emily Grosvenor explains how she has constructed a Kickstarter campaign for her children’s book, Tessalation!
Author Jay Swanson explains how to find and work with cover artists.
Learn how to use Kindle Scout as part of a pre-release marketing strategy for a self-published book.
Editor and writing coach Kristen Kieffer discusses how to get the best out of a beta-reader experience.
Memoirist Benjamin Vogt discusses how evoking sensory details in writing can banish a writer’s fears.
Setting is often an afterthought when writing a scene, but it can affect characterization, tension, pacing—and more. Bestselling author Mary Buckham shows how to create effective descriptions for any type of narrative.
Learn how to pitch your nonfiction book to agents and publishers—whether you’re writing memoir, narrative nonfiction, or prescriptive nonfiction.
Agent Paula Munier explains how to imbue your writing with narrative thrust to keep your readers turning the pages.
Heather Hale discusses the top five mistakes screenwriters make, the usefulness of online script databases, and how to approach a first screenwriting contract.
Editor and writing coach Rebecca Faith Heyman discusses three ways you might be sabotaging your prospects with an agent (and how to improve your chances).
Author and editor Rachel Starr Thomson explains how to use descriptive detail to illuminate character and move plot forward.
Writer and editor Zachary Petit discusses breaking into the freelance market with big-name publications.
Writer Joseph Bates explains all the point-of-view options for your novel and how to choose the best point of view for your narrative.
Author and TV industry vet Greg White offers insight on how to write for television if you’re a beginner.
About the only thing that remains constant in e-book publishing is that it changes—everything from the services to marketing strategies. Here, I’ve attempted to round-up all the good resources I know of related to (1) learning to publish an e-book, (2) finding the right e-publishing services, and (3) staying on top of changes in the industry. […]
Larry Brooks discusses how to create a concept for your novel that will compel readers (and agents and publishers) to read more.
Editor and writing coach Susan Reynolds explains some of the common causes of writer’s block and offers some techniques for beating it.