JaneBot

JaneBot

A chatbot that answers questions using Jane’s articles, Q&As, and book.
photo of pencils and sharpener by Dyfnaint via Flickr

How to Find the Right Critique Group or Partner for You

Brooke McIntyre of Inked Voices explains what to look for in a critique group and how to find the best writing critique group for you.
Image: a baby sits at a typewriter.

Don’t Trust a Writer’s Origin Story

Writers aren’t born fully formed. Talent exists, but good writing rests on wide reading, learning the rules, and steady practice.
Image: a woman leans over several books that are open simultaneously, with a string of small L.E.D. lights illuminating the scene.

To Read a Little or To Read a Lot? Are You Kidding? Read a LOT!

The philosopher Seneca advised studying few writers rather than skimming through many, but authors must read broadly to develop their craft.
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How to Research a Historical Novel Inspired by Family History

When turning real life into historical fiction, being clear about the story you want to tell will help inform how to go about your research.
Image: above an urban doorway, a sign applied to the wall reads "Ideas are brewing."

What Many Novelists Get Wrong About Preparation

Some see “plotter or pantser” as an identity, but it’s really just a method applied after ample preparation either in your head or on the page.
Image: in a gym with a boxing ring in the background, a boxing glove holding a pencil rests on a battered wooden table alongside an open spiral notebook on which the words "Act one, scene one:" are written.

The Myth of the Gifted Writer, and What Sylvester Stallone Shows Us About Being a Storyteller

Sylvester Stallone offers a masterclass in something we don’t talk about often enough: writing is a learned skill.
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How to Fix a Memoir That Drags or Rushes

Like a Slinky, a good memoir has moments of expansion and contraction as it reaches its goal, slowing down or speeding up when necessary.
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How Writing Flash Fiction Can Strengthen Your Novel

Writing short pieces based in your novel’s world can spark ideas that might add depth and nuance to your main story’s characters.
Image: a crowd of smiling locals in Maradi, Niger smile and raise their hands toward the viewer. At the center of their group is a young Western man.

Ditch the Itinerary in Your Travel Memoir

What makes a travel memoir unique isn’t the places you’ve been but what you’re wrestling with inside that the journey illuminates.
Image: seen through open wooden doors, an older woman stoops down to pet a dog in a shady courtyard while another dog lies nearby.

The More Specific Your Characters, The More Universal They Become

Specific context about your characters helps readers understand them within the backdrop of their lives, bringing your stories fully to life.
Image: a painter's hand dips a brush into one of several buckets, each containing a different paint color.

3 Structural Components of Essay: Form, Voice, and Outcome

The essay is like any other literary genre: There are guidelines worth following, and style choice dictates different points of view and structures.
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Find Your Memoir Voice Before AI Flattens It

A standout writing voice is a mixture of your natural style and sentence-level decisions that bring who you are to life.
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Yes, Write About Your Trauma, But Not for the Reasons You Might Think

Whether or not your memoir is published, it’s important to get it off your chest before the rest of your life’s work can come through.
Image: a lightbulb rests on a small chalkboard on which chalk lines are drawn indicating that numerous ideas are emanating from the bulb.

Beyond Story: How to Use Case Studies in Your Nonfiction Book

An effective case study allows your reader to connect with what works and what’s possible for them, and most importantly, keeps them turning pages.
Image: Odysseus and the Sirens, mosaic scene from Homer's Odyssey in The Bardo Museum in Tunis, Tunisia.

Your Premise Is Not Your Plot

A premise is the seed of a story, not its structure. Learn how to turn a what-if into a plot.
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Don’t Leave Your Reader Searching for Meaning: The Importance of Protagonist Context

Any element of a story has the potential to be positive or negative, helpful or harmful. Your character’s context provides the frame of reference.
Image: a spiral notebook with the words "You come first, not second" stands on a table.

How to Center Your Story When Writing About the People in Your Life

When writing about a significant relationship, here are some tips to make sure you don’t end up a supporting player in your own story.
Image: a woman stands in front of Tom's Restaurant in New York City, famous to viewers of Seinfeld.

How to Sell a Book About Your Favorite TV Show in 2026

The TV-book subgenre has grown harder to break into as rewatch podcasts and celebrity memoirs crowd out journalists. Here are practical tips for choosing a show and pitching a proposal today.
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Why Your Story Feels Choppy (Even When the Plot Is Solid)

Transitioning from one scene to another may seem trivial, but it’s crucial to help orient readers and conduct them smoothly through the story.
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How to Turn an Anecdote Into a Story

For an anecdote (“You won’t believe what I saw!”) to grow into an impactful story, a surprise element isn’t enough—real change needs to occur.
Image: sculpture by Gustav Vigeland of a man struggling to break free of a perfect circle that surrounds him.

Finding Your Voice as a Writer in the Age of AI

Life experiences are what create your voice, brand you as an author, and make your writing worth reading.
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Start With the End: A Simple Bookend Structure for Novelists

Before writing your novel, imagining the first and last scenes can help clarify the story’s point and the reader’s emotional journey.
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How Scene Writing Helps You Lose Control (and Find Your Memoir’s Story)

Pay close attention to any surprising details or patterns in your memoir’s scenes—they often point to the story that really wants to be told.
Image: a lakeside cottage is barely seen through a gap between trees.

Resolution Isn’t the Only Payoff: What Short Stories Teach Us About Endings

With other essential elements in place, short story writers can consider leaving an ending ambiguous, with room for the reader to ruminate.