writing classroom

3 Myths About the MFA in Creative Writing

Most writers want an MFA for one of three reasons: They want to teach writing, they want to get published, or they want to make room in their life for writing. It turns out these reasons for doing an MFA are actually based on myths.

should you self-publish

Should You Self-Publish or Traditionally Publish?

Should you self-publish? There is no single right answer to this question—it’s always situational. It depends on you, your book, and your career goals. This post outlines the key questions you should ask.

Ghostly hands at a keyboard

How to Become a Ghostwriter

Author and ghostwriter Roz Morris discusses the necessary characteristics for a ghostwriter, as well as who hires ghostwriters and why.

Chang Kim of Tapas Media

A New Platform for Serialized Work: Tapas Media

For years, serialization has been discussed as a significant area of opportunity for reading and publishing in the digital age. (And note to the sticklers out there: I’m using the terms serial and serialization interchangeably to refer to any situation where content is parceled out in small bites and delivered on a specific schedule, whether the […]

paying for book reviews

Are Paid Book Reviews Worth It?

The majority of authors will not benefit from paid book reviews, and should invest their time and money elsewhere. Here’s why.

April Eberhardt

5 On: April Eberhardt

Literary agent and publishing consultant April Eberhardt discusses effective book promotion, what makes writing exceptional from a publishing perspective, her preference for representing women’s fiction, and more in this 5 On interview.

Libraries and self-publishers

Getting Self-Published Books Into Libraries

Accessing the library market remains difficult for self-publishing authors, especially those with limited visibility. Here’s what authors need to understand before spending time and energy on library distribution.

Allyson Rudolph

5 On: Allyson Rudolph

Allyson Rudolph discusses some of her favorite experimental fiction, the day-to-day life of an associate editor at a publishing house, common problems she sees in fiction and nonfiction, her commitment to increased diversity in media and the arts, and more.