I am thrilled to announce that my 24-lecture series on how to publish your book is now available from The Great Courses.
Are literary journals justified in charging reading fees?
As publishing becomes increasingly digital-driven, how are the business models for authorship changing?
Accessing the library market remains difficult for self-publishing authors, especially those with limited visibility. Here’s what authors need to understand before spending time and energy on library distribution.
The visionary independent publisher discusses how to make money from writing, why books are not culture, and why it isn’t Amazon’s fault.
Bo Sacks, a magazine industry vet, talks about technology, optimism, and what it’s like to put out a daily newsletter for 20 years.
Take a look at 5 charts that reflect current trends in the book publishing industry, and what they mean for authors.
Read my feature article for Writer’s Digest magazine that explores the intersection of literary agents and self-publishing
Allyson Rudolph discusses some of her favorite experimental fiction, the day-to-day life of an associate editor at a publishing house, common problems she sees in fiction and nonfiction, her commitment to increased diversity in media and the arts, and more.
Fair use allows you to use someone’s copyrighted work without permission. However, invoking fair use is not a straightforward matter. Learn the 7 questions to ask to help determine if your use might be considered fair under the law.
A growing number of authors with serious literary cred are finding greater financial success—and a welcoming community—in the romance business.
What authors need to know about the process of getting a book adapted to the big screen.
Asking an editor or agent to sign a non-disclosure agreement is not part of traditional publishing business practice.
SELF-e offers self-published authors a way to distribute ebooks to libraries, but without any pay. The team behind SELF-e addresses the money issue.
Publishers use a P&L (profit & loss) statement to determine whether a book makes financial sense to publish. Here’s how they work—plus an example form.
Journalist and consultant Porter Anderson explains the new SELF-e program from Library Journal for getting self-published ebooks into American libraries.
Chris Kenneally and I discuss the growing field of so-called “hybrid” publishers, and how authors can smartly evaluate them.
Author Carol Bodensteiner answers the seven questions she gets most about working with Amazon Publishing.
Jane discusses building a digital presence, querying 15 years ago vs. now, agents vs. self-publishing, crowdfunding, and the future of publishing.
More than 90% of young people say they want to write a book some day. So why does that inspire such cynicism among adults?