Author Collectives and Co-ops: What They Are and How to Start One
Writers’ collectives can help independent authors gain an advantage in quality, cost control, and marketing.
Writers’ collectives can help independent authors gain an advantage in quality, cost control, and marketing.
The majority of authors will not benefit from paid book reviews, and should invest their time and money elsewhere. Here’s why.
Jay Swanson, the creative mind behind real-time fantasy blog Into the Nanten, explains how to develop a compelling audiobook.
Literary agent and publishing consultant April Eberhardt discusses effective book promotion, what makes writing exceptional from a publishing perspective, her preference for representing women’s fiction, and more in this 5 On interview.
Sangeeta Mehta interviews agent Brenda Bowen about the success of the children’s picture book Sweet Pea & Friends: The SheepOver.
In conversation with Joanna Penn, I discuss digital publishing trends and what authors need to know as they head into 2016.
Editor and writing coach Kristen Kieffer discusses how to get the best out of a beta-reader experience.
Memoirist Benjamin Vogt discusses how evoking sensory details in writing can banish a writer’s fears.
Setting is often an afterthought when writing a scene, but it can affect characterization, tension, pacing—and more. Bestselling author Mary Buckham shows how to create effective descriptions for any type of narrative.
Book publicist Patrick Walsh discusses effective social media promotion, what it takes to make the same old book-marketing advice work for you, questions to ask yourself when trying to decide whether your story should be a book or a screenplay, and more.
Author and editor C. S. Lakin offers guidelines on crafting your Amazon book description to maximize sales.
Learn what it means to see and read the world in terms of narrative design.
No one used to question the value of a publisher, but now everyone’s wondering: What are they good for?
Learn how to pitch your nonfiction book to agents and publishers—whether you’re writing memoir, narrative nonfiction, or prescriptive nonfiction.
This printable and interactive checklist guides your self-publishing project to completion, to ensure you don’t miss any important steps and to help you hit your target pub date.
Screenwriter Ashley Scott Meyers (@AshleyMeyers) discusses the critical writing lesson he learned over time, what it takes to make a living as a screenwriter, and what it felt like the first time one of his scripts was produced
The most important publishing industry headlines and stories that every writer should keep an eye on in 2016.
Kirsten Oliphant discusses how to effectively use Facebook pages and groups.
Chris Jane, who writes the biweekly Q&A series 5 On, discusses overcoming her fear of joining the Twitterverse.
In this 5 On post, bestselling author Elisa Lorello discusses authenticity, using social media to connect with readers, rejection, and the differences between self- and traditional publishing.
Editor and writing coach Rebecca Faith Heyman discusses myths surrounding appealing fiction, YA novels, and readership.
Social media marketing expert Chris Syme discusses how to use Facebook contests and giveaways to turn fans into super fans.
Do males or females receive higher advances? I look at Publishers Marketplace deals data to find out.
I’m often asked: How can I be so productive? Or how does one balance creative work and other life demands? Here’s the most truthful answer I have.
For every 45 minutes that you write, do 15 minutes of something else. But there’s one catch.
Writer and blogger Kirsten Oliphant explains how to build your platform on Twitter in only 15 minutes a day.
Literary agent Jessica Faust discusses how she helps authors self-publish.
Agent Paula Munier explains how to imbue your writing with narrative thrust to keep your readers turning the pages.
Writers Tee Morris and Pip Ballantine explain all the ways authors can use Instagram to build their readership.
Editor and writing coach Rebecca Faith Heyman discusses three ways you might be sabotaging your prospects with an agent (and how to improve your chances).
Author and editor Rachel Starr Thomson explains how to use descriptive detail to illuminate character and move plot forward.
Writer and editor Zachary Petit discusses breaking into the freelance market with big-name publications.
Writer Joseph Bates explains all the point-of-view options for your novel and how to choose the best point of view for your narrative.
Author Ed Cyzewski offers insight into building authentic, sustainable practices in book marketing and promotion.
Author and TV industry vet Greg White offers insight on how to write for television if you’re a beginner.
David Corbett discusses the decline in our country’s writing skills, his personal approach to marketing, writing to the market vs. to the passion, and more.
Freelance writer Leslie Truex offers tips on writing for content mills, websites, and information portals.
Larry Brooks discusses how to create a concept for your novel that will compel readers (and agents and publishers) to read more.
Are literary journals justified in charging reading fees?
Editor and writing coach Susan Reynolds explains some of the common causes of writer’s block and offers some techniques for beating it.
In today’s guest post, author Maggie Kast (@tweenworlds) discusses the role research plays in the development and evolution of a historical novel.
Attorney and author Karen A. Wyle offers insight into using new attorneys in your fiction.
Writing coach and author Angela Ackerman discusses techniques for identifying and connecting with your target reading audience.
A few lessons I’ve learned after more than a full year of full-time freelancing
Debut author Nadine Darling discusses her revision and query process, blogging, writing with children in the house, and more.
3 ways to avoid long-term pain and suffering if you’re preparing to launch your first author website.