What authors need to know about the process of getting a book adapted to the big screen.
Asking an editor or agent to sign a non-disclosure agreement is not part of traditional publishing business practice.
How to improve the effectiveness of your email newsletter through very specific changes to your sign-up forms and content.
Publishers use a P&L (profit & loss) statement to determine whether a book makes financial sense to publish. Here’s how they work—plus an example form.
If you want to write realistic dialogue, resist the temptation to follow a very logical “call and response” structure.
Chris Kenneally and I discuss the growing field of so-called “hybrid” publishers, and how authors can smartly evaluate them.
Here are 10 questions to ask before you choose a Wordpress theme for your site.
Wondering how to sell your screenplay? Learn the most common paths to production for a first-time screenwriter.
This summer, I’m proud to be speaking at one of the academies at the World Domination Summit in Portland, Oregon. My academy is a 3-hour session on how to get your book published, in partnership with literary agent David Fugate. Attendees of the World Domination Summit can register for $29, but non-attendees can also join us […]
Everything you need to know to start sending an effective email newsletter.
Jane discusses building a digital presence, querying 15 years ago vs. now, agents vs. self-publishing, crowdfunding, and the future of publishing.
The personal essay can provide an artful account of earned insight often more useful than years of therapeutic work.
More than 90% of young people say they want to write a book some day. So why does that inspire such cynicism among adults?
Learn about the likelihood of securing a traditional book deal after self-publishing.
On May 23, join me for a 9-city nationwide event at New Dominion Bookshop in Charlottesville, VA.
“Hybrid publishers” are services that don’t fit the definition of traditional publisher or self-publishing service. It can be hard to determine their value.
Publishers rarely see any money in anthologies and frequently reject them. But one author was still able to find a home for her project.
Literary journals have done little to move beyond their gatekeeping function, and cling to a scarcity model that no longer works in the digital age.
What does it mean to “engage” with a community? And what’s the benefit?
If you can’t portray someone you know personally in a positive fashion, you will probably lose this friend and/or be sued for libel.