Creativity

The headlines, facts, and observations that fuel your obsessions will seed your own work and grow it into the stories only you can tell.

Writer’s block is an excuse, based on fear, that gives us permission to quit as soon as writing gets hard.

While you can’t publish a book without sitting down to write, there are many times when we can gain insight by looking away from our work.

Like a pot of broth simmering on the stove, the contents of our journals nourish us and provide the basis for countless delicious creations.

Too many books and not enough time? One author learns that speed-reading print and audiobook versions simultaneously can enhance retention.

Evocative scene-setting can be wonderful, but be careful of letting it get in the way of your story’s action and momentum.

Make the most of your writing practice by understanding which brain waves are active during the day and best support specific writing tasks.

Writing advice is everywhere—newsletters, podcasts, workshops—and it can leave you feeling anxious and unproductive. Here's what to do.

Readers of your work create their own idea of you that is, in a sense, a fictional character. Explore voice by leaning into that fiction.

Goal-setting is much like the Alcoholic’s Prayer: accept what’s beyond our control, assess what we’re able to change, and know the difference.

The imagery and symbolism in a tarot deck can help an author achieve clarity on character and story arcs, internal and external journeys.

One author considers the power that writing conferences have to inspire—and to discourage—their audiences.

In this excerpt from her book The Joy of Writing Journal, Lisa Tener offers three prompts to help you see story ideas all around.

This choice has nothing to do with the act of writing, but everything to do with how you talk to yourself about your vocation.

It’s impossible to fire on all cylinders all the time, so dedicate some of your writing time to stoke the flames of creativity.

Despite our best efforts, artistic jealousy affects us all at times. But how we perceive another’s success is never the whole picture.

Your calendar will never be suddenly free of urgent distractions. To finish that book on the back burner, you must actively bring it forward.

From Franz Kafka to Bob Dylan, history shows that letter writing can be a portal to discovery that benefits a wide variety of projects.

In Maslow’s hierarchy of needs, the top rung is where creativity happens—after our sustenance and security are met. Many of us are just not there, yet.

Research shows that most people reach peak cognitive performance under moderately noisy conditions—roughly the sound of a coffee shop on a busy day.

At times when reading seems like a chore and writing every day is like squeezing blood from a stone, try nurturing your creativity in different ways.

Loss can make fiction feel like an obnoxious waste of time. And maybe it is. But what if all of this loss is the exact reason to read? To write?

When stuck in the doldrums, writing coach Mathina Calliope recommends "writer candy"—literary distractions that nourish the muse.

Sometimes a story demands more than just a plot. You may want to create a context, a descriptive background that sheds light on a story's meaning.

You've probably heard writing advice such as “Ass in chair” and “Write every day.” While the advice has its limitations, there's a good reason it's mentioned so often.

You're intimately familiar with the nature of your writer's block, right? In this guest post, creativity coach and author Julia Roberts pinpoints specific tools, and how they helped her, to clarify and solve the real issue.

Which approach is right? Write only for yourself and in service of your vision OR write with an intended readership in mind.

In working on your craft, it's one thing to find the right critique group. It's quite another to know when to fly. Writer and librarian Lisa Bubert shares her experience, outlines her formula, and offers tips on leaving the nest.

There's a legendary joke about the writing life, often attributed to Margaret Atwood. It goes like this: A brain surgeon and a writer meet at a party.

Rejection is painful, and there's no avoiding it as a writer. But you don't have to submit before you're ready to deal with it. Writer and blogger Shana Scott offers some perspective on the conventional "publish or perish" advice.

The writers who visit you in class, when you're still a student—especially if you're young and impressionable—these writers stick with you for a lifetime.

You don’t have to choose between planning and "simply writing." Do both, at different times, all the way through the novel writing process.

Voice: It's either there in the writing or it's not. And some writers haven't developed or "found" their voice yet.

Writer Anthony Doerr once told me something his father told him, and I'll paraphrase it poorly here: You're going to get your neck sunburned looking up all the time.

Focusing on the smallest thing you can accomplish: this is the magic trick to making progress or getting unstuck.

When you understand your SWOT as an author, you can take control over your time. You can stop fighting fires, and start focusing on the things that will truly help you in the long run.

How do you describe a character with Asperger’s—especially if your story takes place before such a thing had a name?

The irony of commitment is that it’s deeply liberating – in work, in play, in love. The act frees you from the tyranny of your internal critic,

There’s no one recipe to overcome a creativity wound, but putting a pen between your fingers and then resting it on a piece of paper is a pretty good start to finding one.

Do you write write according to your own internal motivations or creative impulses—with the intention to create serious art—or do you write hoping to create a bond between writer and reader?

Writing a novel requires the creation of a living, breathing, fully populated world. Deities can pull off a trick like that in six days, but how long should it take to write a book?

I’ve been air-quoting “reading” since my first legitimate introduction to audiobooks this past winter.

To some degree, we get to pick and choose our publishing and publicity tasks. Sometimes we forget this and freak out because we think we have to do it all.

In many ways, a portrait photographer encounters the same great issue as fiction writers, chiefly, creating and revealing character.

Despite the notion that we are voiceless, the challenge of a good creative writing instructor is to teach students that they do indeed have a voice and that their voice, that all our voices in concert, have meaning.

Violence can be too sanitized, too tamed into a generic, pre-packaged mold, and so it can't yield the kind of interesting questions or meditations readers crave, and writers must eventually confront.

Many people I know are ambitious about their writing. Ambition is not bad in and of itself. But it definitely interferes with your writing. If even before you begin a writing project, you are thinking about where you want it to be published and who, you hope, will review it, you are opening the door to anxiety.

When a character "change" feels beautiful, it's because the character has confirmed what we've hoped or suspected all along. Maybe the character hasn't changed at all, but rather has finally been put in a situation where her truest self can be revealed.

First and foremost: Set realistic goals. Is this book going to change your life? No. After publication, you will not be a different fifty-plus-year-old person. You will be pretty similar to the person you were before, only this fifty-plus-year-old person has written a book. So ask yourself: What are you hoping to get out of the experience?

Writer Jane Delury discusses the importance of showing up and writing regardless of the conditions you find yourself in, no matter how you feel.