Start Here: How to Write a Book Proposal

Book Proposal Business Plan

This post is a companion to Start Here: How to Get Your Book Published. My expertise on this topic comes from more than a decade of acquisitions experience at a traditional publisher, where I reviewed thousands of proposals.

What exactly is a book proposal?

A book proposal argues why your book (idea) is a salable, marketable product. It is essentially a business case or a business plan for your book.

Book proposals aren’t something you dash off in a day or two. They can take weeks or months to write if properly developed and researched. A proposal can easily reach 50 pages, even 100 for complex projects.

When is a book proposal needed?

Book proposals are used to sell nonfiction book ideas.

Instead of writing the entire book—then trying to find a publisher or agent (which is how it works with novels)—you write the proposal first, which convinces the editor or agent to contract you to write the book.

New writers might find it easier to simply write the book first, then prepare a proposal—which isn’t such a bad idea, since many editors and agents want assurance that an unknown writer can produce an entire book before they commit. (But having the manuscript complete does not negate the need for the proposal.)

That said, drafting a proposal first (even sketching it) can give you a better idea of what your book needs to include to make it stand apart from competing titles.

When is a proposal NOT needed?

The easiest answer is: When the agent or editor doesn’t require it in their submission guidelines. This can be the case with memoir, where the quality of the writing or manuscript holds more weight than the business case.

Generally speaking: When your book is more about information or a compelling idea, then you’re selling it based on the marketability of your expertise, your platform, and your concept—and you need a proposal.

If your book will succeed based on its literary merit (its ability to entertain or tell a story), then it becomes more important to have a completed manuscript that proves your strength as a writer.

What about “novel proposals”?

You may occasionally hear someone refer to novel proposals, which includes a query or cover letter, a synopsis and/or outline, and a partial or complete manuscript—along with any other information the editor or agent requests. This bears little to no relation to a typical nonfiction book proposal. Go here to read more about novel synopses.

Do I have to be an expert to write my nonfiction book?

Usually some level of expertise is necessary to produce a successful nonfiction book, especially for fields such as health, self-help, or parenting, where no one will trust your advice without recognized credentials. Your background must convey authority and instill confidence in the reader. (Would you, as a reader, trust a health book by an author with no experience or degrees?)

Some types of nonfiction, especially narrative nonfiction and memoir, can be written by anyone with proven journalistic or storytelling skills.

How do I know if my memoir is salable or marketable?

It’s probably safe to assume that your memoir is not salable unless you’re confident of several things.

  1. Your writing must be outstanding. If your memoir is your very first book or very first writing attempt, then it may not be good enough to pass muster with an editor or agent.
  2. You must have a compelling and unusual story to tell. If you’re writing about situations that affect thousands (or millions) of people, that’s not necessarily in your favor. Alzheimer’s memoirs or cancer memoirs, for example, are common, and will put you on the road to rejection unless you’re able to prove how yours is unique or outstanding in the field.
  3. You need a platform. If you have a way to reach readers, without a publisher’s help, then you’re more likely to get a book deal.

Do I need an agent to sell my nonfiction book?

It depends. Consider these factors:

  1. Are you writing a book that has significant commercial value?
  2. Do you want to publish with a New York house?
  3. Do you need the expertise and knowledge of an agent to get your proposal into the right hands?

If the answer to any of these questions is yes, then you should probably look for an agent. Projects that don’t necessarily require agents include scholarly works for university presses; regional works likely to be published by regional or independent presses; and works with little commercial value.

How do I submit a book proposal?

Check submission guidelines of the agent or publisher. Sometimes you have to query before sending the book proposal; here’s a guide on how to write a query letter for a nonfiction book.

The submission guidelines will also indicate any mandatory information that must be included in the proposal. Wondering how to find an agent or publisher to submit to? Check this post.

What does a book proposal consist of?

For better or worse, there is no “right way” to prepare a book proposal, just as there is no right way to write a book. Proposals vary in length, content, approach, and presentation. Each book requires a unique argument for its existence (or a business case), and thus requires a unique proposal. For example, a coffee table book on dogs would be pitched differently than a scholarly tome on presidents, or an expose on a celebrity.

However, here’s what an agent or publisher is essentially looking for.

Always answer these three questions

While these questions are not explicitly addressed in the proposal (e.g., with specific sections), these questions will be running through the mind of every publishing professional who considers your project. Make sure, as a whole, your proposal effectively answers them.

  • So what? This is the reason for the book’s existence, the unique selling proposition that sets it apart from others in the market.
  • Who cares? This is your target readership. A unique book is not enough—you must show evidence of need in the marketplace for your work.
  • Who are you? You must have sufficient authority or credentials to write the book, as well as an appropriate marketing platform for the subject matter or target audience.

Basic book proposal elements

Before I detail the most common elements of a proposal, I want to emphasize the following. Editors care about one thing only: A viable idea with a clear market, paired with a writer who has credibility and marketing savvy.Knowing your audience or market—and having direct, tangible reach to them (online or off)—gives you a much better chance of success. Pitch only the book you know has a firm spot in the marketplace. Do not pitch a book expecting that the publisher will bring the audience to you. It’s the other way around. You bring your audience and platform to the publisher.

1. Cover page and the proposal’s table of contents

Long proposals should have a table of contents.

2. Overview

A two-page summary of your entire proposal. Write it last—it needs to sing and present a water-tight business case. Think of it as the executive summary.

3. Target market

Who will buy this book? Why will it sell? Avoid generic statements like these:

  • A Google search result on [topic] turns up more than 10 million hits.
  • A U.S. Census shows more than 20 million people in this demographic.
  • An Amazon search turns up more than 10,000 books with “dog” in the title

These are meaningless statistics. The following statements show better market insight:

  • Three major sites focus on my topic at [URLs], and none of them have been updated since 2009. When I posted current information about this topic on my site, it became the leading referral of traffic for me, with more than 100 people visiting each day as a result.
  • Media surveys indicate that at least 50% of people in [demographic] plan to spend about $1,000 on their hobby this year, and 60% indicated they buy books on [topic].
  • The 5 most highly ranked titles on Amazon on this topic are now all at least 5 years out of date. Recent reviewers complain the books are not keeping up with new information and trends.

4. Competitive analysis

This section analyzes competing book titles and why yours is different or better. (Resist trashing the competition; it will come back to bite you.) Don’t skimp here—editors can tell when you haven’t done your homework. Also, researching and fully understanding the competition and its strengths/weaknesses should help you write a better proposal.

Whatever you do, don’t claim there are NO competitors to your book. If there are truly no competitors, then your book might be so weird and specialized that it won’t sell.

Most importantly, don’t limit yourself to print book titles when analyzing the competition. Today, your greatest competition is probably a website, online community, or well-known blogger. Your proposal should evaluate not just competing print books, but also websites, digital content, and online experts serving the same audience. Google your topic and the problem it solves. What terms would people search for if they wanted information or a solution? What turns up? Is it easy to get needed and authoritative information? Is it free or behind a pay wall?

Where do online experts and authorities send people for more information? Do they frequently reference books? Ask your local librarian where they would look for information on the topic you’re writing about.

For more help on this, see my post: How to Identify Top Websites and Blogs in Your Category

In many nonfiction topics and categories, the availability of online information can immediately kill the potential for a print book unless:

  • You have a very compelling platform and means of reaching your target audience, and they prefer books.
  • You already reach an online market and they are clamoring for a book.
  • You are writing something that isn’t best served through an online experience.

Many book ideas I see pitched should really start out as a site or community—even if only to test-market the idea, to learn more about the target audience, and to ultimately produce a print product that has significant value and appeal in its offline presentation.

5. Author bio and platform

Explain why you’re perfect to write and promote the book. More on this below.

6. Marketing and promotion plan

What can you specifically do to market and promote the book? Never discuss what you hope to do, only what you can and will do (without publisher assistance), given your current resources.

Many people write their marketing plan in extremely tentative fashion, talking about things they are “willing” to do if asked. This is deadly language. Avoid it. Instead, you need to be confident, firm, and direct about everything that’s going to happen with or without the publisher’s help. Make it concrete, realistic, and attach numbers to everything.

I plan to register a domain and start a blog for my book.

Within 6 months of launch, my blog on [book topic] already attracts 5,000 unique visits per month.

I plan to contact bloggers for guest blogging opportunities.

I have also guest blogged every month for the past year to reach another 250,000 visitors, at sites such as [include 2-3 examples of most well-known blogs]. I have invitations to return on each site, plus I’ve made contact with 10 other bloggers for future guest posts.

I plan to contact conferences and speak on [book topic].

I am in contact with organizers at XYZ conferences, and have spoken at 3 events within the past year reaching 5,000 people in my target audience.

The secret of a marketing plan isn’t the number of ideas you have for marketing, or how many things you are willing to do, but how many solid connections you have—the ones that are already working for you—and how many readers you NOW reach through today’s efforts. You need to show that your ideas are not just pie in the sky, but real action steps that will lead to concrete results and a connection to an existing readership.

7. Chapter outline or table of contents

Briefly describe each chapter, if appropriate.

8. Sample chapters

Include at least one—the strongest, meatiest chapter. Don’t try to get off easy by using the introduction.

What are common problems with book proposals?

  • They’ve been submitted to an inappropriate agent/editor/publisher.
  • No clearly defined market or need—or a market/audience that’s too niche for a commercial publisher to pursue.
  • Concept is too general/broad, or has no unique angle.
  • The writer wants to do a book based on his or her own amateur experience of overcoming a problem or investigating a complex issue. (No expertise or credentials.)
  • The writer concentrates only on the content of the book or his/her own experience—instead of the book’s hook and benefit and appeal to the marketplace.
  • The proposed idea is like a million others; nothing compelling sets the book apart

What if I’m told the market is too small for my project?

Maybe you approached too big of a publisher. Is there a smaller publisher that would be interested because they have a lower threshold of sales to meet? Big houses may want to sell as many as 20,000 copies in the first year to justify publication; smaller presses may be fine with a few thousand copies.

Is it possible to make your subject/topic/book more marketable by employing a sexier hook? Many times, writers aren’t looking at their work with a marketer’s eye. Think about how you might interest a perfect stranger in your topic. Have you really tapped into current trends and interests when it comes to your book project, and are you framing it in an exciting way for a publisher (or agent)? Just because you’re fascinated by your subject doesn’t mean other people will get it. You have to know how to sell it.

How big does my platform have to be before a publisher will be interested?

It depends on how big of a publisher you’re pitching, and the overall nature of that publisher. Let’s assume you want the best possible deal from a commercial, New York house.They will want to know:

  • The stats and analytics behind your online following, including all websites, blogs, social media accounts, e-mail newsletters, regular online writing gigs, podcasts, videos, etc.
  • Your offline following—speaking engagements, events, classes/teaching, city/regional presence, professional organization leadership roles and memberships, etc.
  • Your presence in traditional media (regular gigs, features, any coverage you’ve received, etc)
  • Sales of past books or self-published works

You typically need tens of thousands of engaged followers, and verifiable influence with those followers, to interest a major publisher. Make sure that every number you mention is offered with context. Avoid statements like these: I have 3,000 friends on Facebook or I have 5,000 followers on Twitter. These numbers are fairly meaningless as far as engagement. You have to tell the story behind the numbers. For instance:

Better: More than 30 percent of my Twitter followers have retweeted me, and my links get clicked an average of 50 times.

Better: I run regular giveaway events on Facebook, and during the last event, more than 500 people sent their favorite quote on [topic] to be considered for the giveaway—and to also be considered for the book.

Show that you know your market in a meaningful way, show specifically how and where the market is engaged and growing, and show the engaged role you have.

For more about platform, see these other posts:

Does my book need or deserve to be in print?

Some nonfiction topics actually work better when presented on blogs, websites, or communities/forums—where interactivity and an ability to freshen up the content at a moment’s notice has more appeal to your audience.

Traditional houses are pickier than ever; producing anything in print is a significant investment and risk. They need to know there’s an audience waiting to buy. And, given the significant change in the industry, authors shouldn’t consider a print book their first goal or the end goal, but merely one channel, and usually not the best channel.

Looking for more?

For more than a decade, I worked at a mid-size publisher that specialized in nonfiction; I was also an editor at an award-winning literary journal specializing in journalism and narrative nonfiction. I’ve prepared book proposals for myself and critiqued hundreds of others. If you need help with your proposal, here’s what I offer.

How to Write a Powerful Book Proposal That Sells ($99)

If you haven’t yet written your proposal, here’s what I can offer you:

  • A 3-hour video lecture series, broken down into six segments: The Big Picture, Research, Platform, Proposal Writing, Industry Know-How, and Selling
  • A series of worksheets to aid in your research process that makes writing the proposal far more simple and enjoyable
  • A book proposal template
  • Sample book proposals

I’ve taught numerous conference workshops and online classes on book proposals, so my lectures anticipate your questions and address all the most common mistakes and weaknesses I see. To find out more, click here. After your purchase is complete, you’ll get immediate access to the course and all curriculum.

I also offer critique services if your proposal is already written.

Upcoming Online Classes

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Jane Friedman
Jane Friedman has 20 years of experience in the publishing industry, with expertise in digital media strategy for authors and publishers. From 2001–2010 she worked at Writer's Digest, where she ultimately became publisher; more recently, she was an editor at the Virginia Quarterly Review, where she led digital strategy. Jane currently teaches writing and publishing at the University of Virginia and is a columnist for Publishers Weekly. The Great Courses just released her 24-lecture series, How to Publish Your Book. She also has a book forthcoming from the University of Chicago Press, The Business of Being a Writer (2017). Jane speaks regularly at conferences and industry events such as BookExpo America, Digital Book World, and the AWP Conference, and has served on panels with the National Endowment for the Arts and the Creative Work Fund. Find out more.
Jane Friedman

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147 Comments on "Start Here: How to Write a Book Proposal"

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[…] Most nonfiction: You must write a book proposal (basically like a business plan for your book) that will convince a publisher to contract and pay you to write the book. For more information on book proposals and what they entail, click here. […]

AL Levenson
3 years 3 months ago


3 years 3 months ago

Wrt expertise, Malcolm Gladwell has no subject matter credentials and he seems to use that as an advantage. Could you address expertise counter examples like this and how to leverage expertise between fields?

[…] Start Here: How to Write a Book Proposal | Jane Friedman […]

[…] How to Write A Book Proposal by Jane Friedman. This is an in-depth look, lots of insight and resource links – recommended read. […]

Marlene Adelstein
3 years 3 months ago

As usual, a wealth of great information. Well organized, articulate, easy to understand. Thank you, Jane.

[…] To: Start Here: How to Write a Book Proposal, by Jane Friedman – “A book proposal argues why your book (idea) is a salable, […]

[…] To: Start Here: How to Write a Book Proposal, by Jane Friedman – “A book proposal argues why your book (idea) is a salable, […]

[…] Friedman has just released an extensive, free new guide for nonfiction writers on her site: Start Here: How to Write a Book Proposal. Back to Table of Contents @ebooknoir Honestly, I’m beginning to think that I should reduce […]

3 years 2 months ago

I think this could be very helpful to my husband (climatologist/geographer and long time organic gardener) when he goes to write/pitch his book on gardening and climate for the lay person. :) Thank you!

[…] Grabbing an agent’s attention is key for traditional publishing. Rachelle Gardner has the formula for writing a one sentence summary for fiction, while Jane Friedman shows how to write a non-fiction book proposal. […]

[…] How To Write A Book Proposal via @JaneFriedman […]

3 years 2 months ago

This is great info for me. I’ve been researching for a specific idea I’m nursing, scared to make the first move. In fact, I’m listing all the questions I have and hoping to meet with you at the Oklahoma conference in the Spring. Hope that’s do-able. :) I’ve read many How To book proposal books – but in a nutshell, this info helps me focus more than any. Thanks so much!

3 years 2 months ago

Jane, lots of good info here. Couldn’t agree more. In fact, I’d argue that a book proposal is just as important for the author as it is for anyone else. The proposal is a key element which is often overlooked or pushed aside, but in reality, it can be detrimental to an author’s success before anyone even turns the book’s cover.

3 years 2 months ago

This has actually been really helpfull I have been trying to find a publisher for the book I am currently writing and this is really vital information to help me take the first step on my journey to write my first book and get it published thank you for making a post about this it’s really really helpful!

I’ve been really nervous about taking the first step and this is the first thing that I have read that actually has given me a direction

[…] And in related read­ing: Fried­man has just released an exten­sive, free new guide for non­fic­tion writ­ers on her site: Start Here: How to Write a Book Pro­posal. […]

3 years 1 month ago

[…] want to consult Writer’s Market for article submissions, as well as this comprehensive column on writing a book proposal by Jane […]

mohd suhail mohd sufian
3 years 21 days ago

Thank! this really help me on my first book :)

3 years 5 days ago

hello jane. my name is stefano magaddino and I am the grandson of Stefano magaddino the western New York mafia Don. There are hundreds of mafia books out there, each with a different approach. I am planning to write about my grandfather in terms of being my Papa. Personal stories of our relationship. No new “inside” info, just memories of what he was like as a person. A man I loved. What do you think? I looked at your post and did not seem to fit in any one category. Please advise. Thank you, Stefano. ( if possible e-mail me:… Read more »

Lara Leger
2 years 11 months ago

I have had on my heart for quite a while now, a book idea. It is a much needed thing & when I Googled, there was only one book in that particular field (a devotional book)—& we’re dealing with the Christian book market too, I want to add—So I know this idea is not overdone & I know it’s a need. The type of book (non-fiction) that it is, it will not be like the other book out there. I’m doing it to help others who find themselves in the same situation I am in, to find strength & encouragement.… Read more »

Nicole Price
2 years 11 months ago

Hi Jane, Very useful information… I am looking at writing about cyberbullying but am struggling to find publishing houses within the south pacfic region that I live in. Is it ok to approach US publishers when I am so far away? Also should I be looking at ebooks as a form of publishing given the content I am writing about?
Regards Nicole

2 years 11 months ago

Can a true story based on a person’s actual experience during a particular time in their life be considered Non-Fiction?

[…] A great article about the what, why, how and when of writing a book proposal from the ex-Publisher of Writer’s Digest and current editor of the Virginia Quarterly Review. […]

Bridget D
2 years 10 months ago

Hi Jane, great and useful advice, but I have a couple of questions: I have completed the first draft of a travel memoir about my experience travelling in India but I am confused about whether I need to write a proposal for it, as it is non-fiction, or a synopsis, as for a memoir/fiction. Also I feel my platform is not very strong. I was a magazine journalist for seven years, writing occasional travel pieces and wrote a blog while in India but otherwise nothing else. Should I be concerned about this?

2 years 10 months ago

Dear Ms. Jane Friedman,

I am currently in the process of completing my four book series on a crime fiction novel about gone wrong. I won’t say more without completely giving the entire series away. I have tried in the past six years to send out query letters to publishers/literary agents. But I haven’t had any luck.Do you have any advice or tips? Thank you.


2 years 9 months ago

What value does the publisher bring, if the author’s done all that you propose?

Andrew Kensley
2 years 9 months ago

Hi Jane. Really helpful info. I am working on a book proposal for a travel memoir about moving my family to Europe. From my research, it seems there is a market for a) travel memoirs, and b) and few good ones about families moving with young children. I think I have a decent platform, as I write a newspaper parenting column and feature articles for several magazines, and am shopping a literary novel as well. Any chance an agent would give an advance for something like this? I couldn’t afford to quit my job and move, write the book, then… Read more »

2 years 9 months ago

Great advice Jane, thanks for all of this! I am hoping to find some more information about how to format the author qualifications portion of a proposal. Does it need to read more like the dust jacket bio or can it be more in depth than that? I began writing it more like a conversation pointing out which of my qualifications make me the right person for the book but I’m starting to wonder if it needs to be a more general, third person account. Thanks again for your insights.

[…] This post is by far the most complete one, giving you pretty much everything you need to know on the subject. It explains the difference in proposals between traditional non-fiction and narrative non-fiction, helps you write a strong proposal, and gives a very thorough overview of the book proposal. […]

2 years 9 months ago

Jane, retired corporate exec writing a coming of age memoir of three year boyhood period residing in New Zealand during early 1960’s. Will include extent the unique experience/pristine environment shaped who I have become. Having trouble identifying target market. Would you suggest both a proposal and completed manuscript for this approach? Limited platform but confident in writing style and ability to tell a story. Do write feature columns & movie reviews for local newspaper that are well-received by editor, readership. Have several unpublished short stories that received high marks in creative writing classes. thanks for your invaluable insights/cl

2 years 9 months ago

A friend referred me to this post. Thanks for laying it all out–this is helpful, as I have several projects in mind. One involves a collection of humorous anecdotes (some involving parenting, some involving my childhood, some involving ridiculous people) previously published on an old blog that is no longer accessible. Would you suggest a book proposal and sample chapters for that project?

2 years 9 months ago

How do you prevent from your material being copied or stolen during the initial phase of seeking feed back and when should you have it copyright protected? Thanks

C Moore
2 years 9 months ago

Wouldn’t it be easier to write, print, market and sell the book yourself then hand over most of your earnings to a publisher? I’ve seen some terrible books around so I’m sure the process isn’t as stringent as you suggest. I hope nobody get’s put of writing by this article.

2 years 9 months ago

HI Jane,

Thanks for the post, super helpful! I have a question…I have read that it is helpful to address the cover letter of book proposals to a specific person. Ive tried calling the editorial departments of a few publishing houses to find out who I should be writing to but more often than not, usually the bigger ones, they say addressing the letter to the Editorial Dept is fine. Is it better to address it to no one in specific or pick one of the editors or publishers off the website and use their name?

Thank you for your help!



[…] the level of demand your topic generates. For some help in this aspect, check out this article on how to write a book proposal. Ask yourself the 3 questions and understand the need for competitive analysis of your niche […]

2 years 8 months ago

Hi Jane, a great post, thanks for taking the time to lay this out there. Could I ask, what criteria would you consider when deciding if the book should be published in the traditional method above VS self publishing an eBook? What questions should one ask of the product/author to help determine the best route to take?

[…] Start Here: How to Write a Book Proposal […]

Shenoa Herlinger
2 years 8 months ago

Dear Jane, I have been tossing around a non-fiction book idea (personal experiences plus anecdotes from interviews on the same types of experiences) for several years now. I have finally decided to take the plunge and just do it. I had no clue how to get started and I admit, that is definitely what was holding me back. Your blog and website are so comprehensive and detailed as to be overwhelming and intimidating but it most assuredly lays the groundwork for success if certain steps are followed and certain measures taken. Thank you for providing a step-by-step guide for us… Read more »

[…] publisher of Writer’s Digest, publishing industry veteran, and educator—says that you have to address in your book proposal. Less pithy industry vets say that you need to be able to explain what your book is about and why […]

Krissy Moehl
2 years 7 months ago

This is the first of likely many resources I am tapping in a process of joining the literary world. Thank you for such concise information and great links to more.

2 years 7 months ago

Thank you for your very helpful insights Jane! It appears to me from reading the post above that a blog or personal website is necessary to show that you have a ready made audience. Is this true? I appear regularly in local and national media and have regular public speaking gigs – do you think this will be sufficient to show readership or should I work on building a blog before going further on my book proposal?

2 years 7 months ago

Thanks so much for your post. I am a new book editor, and I recently completed editing a manuscript for a book by a dermatologist. He has his own product line, has been interviewed on TV numerous times and has keynoted many professional conferences. My question: given that the book is already written, and given that he has some decent name recognition/seen as an authority in his field, what should be my next step?

Kathleen Richardson
2 years 7 months ago

Hi Jane: I need some direction: I’m about two-thirds of the way through my memoir of living with and loving an abusive alcoholic who was also a womanizer on a grand scale. I’ve had the first 70 pages critiqued by a Writer’s Digest person and she says, “You are a good writer,” and “I LOVE the opening passages about the sky writer. They’re brilliant? I was swept right into that writing,” and a comment about my characters feeling “whole.” My questions: should I put the book on the back burner and focus on finding an agent? And, should I do… Read more »

Kathleen Richardson
2 years 7 months ago

Hi Jane: It’s Kathleen again. Whoops, I meant to put an exclamation mark after “brilliant” instead of a question mark. It’s the critiquer’s mark, not mine.

Susan Kerr
2 years 7 months ago

Jane, What would you recommend for a book proposal for a war diary? (Civil War) Thanks for this excellent article.

2 years 6 months ago

Thank you so much for this article, it’s the best I’ve seen on writing a book proposal.

2 years 6 months ago

Good morning
I am a public school bus driver for elementary school children. There is so much to be said , I believe with my heart. Any advice?

2 years 5 months ago

If you have a web site on a closely-related topic, how do you decide then what to share on the web site and what to save for the book?

2 years 4 months ago

Hello Jane, thank you for the very helpful post. I pitched my memoir at a recent conference and some agents have requested partials and an annotated outline. I have a question about the partials — the agents’ websites emphatically say NO ATTACHMENTS. Wow, does that mean I paste 50 pages’ worth of content into the body of an email? All single spaced? Do I keep the double spaces after periods? My second question is about the outline since there’s so much conflicting advice out there. Should the chapter summaries be third-person? Present tense? But I keep reading that proposals should… Read more »

2 years 4 months ago

Thanks! Very helpful. I feels possible now! :)