Should you self-publish or traditionally publish? This infographic will help you determine the best choice for you and your project.
Author Barry Eisler discusses the pros and cons (where they exist) of legacy, Amazon, and self-publishing; research and editing; selling book rights; and more.
Helen Sedwick and Orna Ross discuss selling international rights to your book.
Author and radio broadcaster Reggie Lutz discusses her tendency as a writer to synthesize fiction genres, recommends qualities to look for in a writing critique group, offers advice on pitching and interviewing with radio hosts, and more.
No one used to question the value of a publisher, but now everyone’s wondering: What are they good for?
Learn how to pitch your nonfiction book to agents and publishers—whether you’re writing memoir, narrative nonfiction, or prescriptive nonfiction.
Do males or females receive higher advances? I look at Publishers Marketplace deals data to find out.
Take a look at 5 charts that reflect current trends in the book publishing industry, and what they mean for authors.
Read my feature article for Writer’s Digest magazine that explores the intersection of literary agents and self-publishing
Publishers use a P&L (profit & loss) statement to determine whether a book makes financial sense to publish. Here’s how they work—plus an example form.
Author Carol Bodensteiner answers the seven questions she gets most about working with Amazon Publishing.
Last month, author Harry Bingham and I launched an author survey to explore the experiences and current leanings of traditionally published authors in the English language. The Bookseller in the UK originally reported on the survey here; it can catch you up on what we hoped to accomplish with this effort. So the results are now in. We received 812 responses; you can view […]
What is crowdfunded publishing? Learn about the two types of models now prevalent, plus the major services you can choose from.
Full-time author and speaker Scott Berkun discusses his book marketing experiences as both a traditionally published author and self-published author.
UK author Harry Bingham describes the four stages of his career, and why he’s decided to self-publish after good experiences with traditional houses.
Note from Jane: Today’s guest post is adapted from The Writer’s Advantage: A Toolkit for Mastering Your Genre by Laurie Scheer (@mediagoddess213). So you think your idea for a new vampire novel is a good one? Think again. Nine times out of ten, your idea is really quite mediocre and has been done before, actually a […]
The stand-alone query letter has one purpose, and one purpose only: To seduce the agent or editor into reading or requesting your work. The query is so much of a sales piece that you should be able to write it without having written a single word of the manuscript. For some writers, it represents a […]
Welcome to The Smart Set, a weekly series where I curate a selection of articles from the past week related to the publishing/media industry that merit your attention. I also point to what I see as the most interesting underlying questions, and welcome you to respond or ask your own questions in the comments. “To seek: to embrace the questions, be […]
Much shorter and quicker to go over than the initial report, this edition takes into account information interpreted from approximately 11,000 titles in genre fiction; 900 in literary fiction; 30,000 in non-fiction; and some 10,000 in children’s (not YA) fiction. Hugh Howey has, since the first report, adopted a more frequent use of the term “spider” for the software his still-unnamed associate is deploying.
This infographic breaks down the key 5 publishing paths, their value to authors, the potential pitfalls, and examples of each.