
Any accomplished writer is also a reader—and usually a reader first. For the writer who is the least a bit humble, this sets up one of the most significant psychological barriers to pursuing a writing career: How could I ever produce something as wonderful as [admired writer / admired book]?
This is an area that Steven Pressfield is well known for covering (see The War of Art), and in this month’s Glimmer Train bulletin, fiction writer Danielle Lazarin shares how she deals with the challenge:
I was only halfway through Stuart Dybek’s I Sailed with Magellan when I decided I should just give up on writing altogether…and I wanted to leave it to him, a far more lyric, braver writer than I would ever be.
At these humbling moments, I remember advice I received from Dan Chaon while studying fiction at Oberlin. At the end of a semester, he wrote to me: “There’s a very specific world that only you can write about, a map that only you can make…”
Read the rest of Danielle’s excellent piece.
Also in this month’s Glimmer Train bulletin:
- My Grandmother’s Cigarette Box by Karen Brown
- Pleasing Contradictions by Joshua Henkin

Jane Friedman has spent her entire career working in the publishing industry, with a focus on business reporting and author education. Established in 2015, her newsletter The Bottom Line provides nuanced market intelligence to thousands of authors and industry professionals; in 2023, she was named Publishing Commentator of the Year by Digital Book World.
Jane’s expertise regularly features in major media outlets such as The New York Times, The Atlantic, NPR, The Today Show, Wired, The Guardian, Fox News, and BBC. Her book, The Business of Being a Writer, Second Edition (The University of Chicago Press), is used as a classroom text by many writing and publishing degree programs. She reaches thousands through speaking engagements and workshops at diverse venues worldwide, including NYU’s Advanced Publishing Institute, Frankfurt Book Fair, and numerous MFA programs.




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[…] Any accomplished writer is also a reader—and usually a reader first. For the writer who is the least a bit humble, this sets up one of the most significant psychological barriers to pursuing a writing career: How could I ever produce something as wonderful as [admired writer / admired book]? This is an area that Steven … […]
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