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IMHO: The Kick in the Pants That Nonprofit Literary Presses Needed

Small nonprofit literary presses are adapting to NEA funding cuts by diversifying revenue, strengthening donor relationships, and clarifying their community missions. The crisis is forcing long-overdue strategic and organizational work.
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Traditional Deals for Self-Pub Authors Grew Significantly in 2025

Not only has the number of deals grown in 2025, but they are often multi-book deals in the six figures, with more publishers than ever competing for successful indie author series.
How I Navigated My Way to a Memoir Deal from a Small Publisher

How I Navigated My Way to a Memoir Deal from a Small Publisher

Learning from others and practicing patience while navigating the publishing industry led to a bright light at the end of the tunnel.
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New AI-powered manuscript assessment tool

The tool, by software company Trilogy, helps agents and publishers evaluate unsolicited manuscripts—but are any likely to admit to using it?
New Publishers and Agents in 2025

New Publishers and Agents in 2025

A roundup of new publishers, imprints, and agents announced in 2025, as covered in The Bottom Line.
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Comps Can Clinch Your Query

When pitching to agents or editors, the right comp titles help you articulate where you position yourself within a very competitive market.
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How I Secured a Big Five Publishing Deal with Almost No Social Media Platform

Learn how one author’s publishing “fairy tale” hides years of struggle, with practical lessons to unlock your own resilience.
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“All Others”: The Memoir Writers Who Keep Going

Jane’s reporting has shown that unknown authors still land memoir deals, a fact which gave one writer the will to persevere—and succeed.
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Agents and Publishers Confront AI Use in Submissions

I spoke to agents and publishers to ask how much evidence of AI use they’re seeing in submitted materials and why they ask about AI use at the query stage.
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University Presses: A Viable Path for Literary Fiction Careers

Authors and agents have long turned to university presses for nonfiction projects. They’re increasingly doing the same for literary fiction.
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After My Second Book Died on Submission, I Took These 4 Crucial Steps

The publishing road is full of potholes and detours, even if you get a book deal. That’s why it’s important to find joy in the writing itself.
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Silence: The New Rejection That’s Expanding in Insidious Ways

When agents and publishers refuse to reply to submissions, is it any wonder that writers end up seeking validation from scammy alternatives?
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New science fiction publisher: Factorial Books

The founders of an aerospace company have launched Factorial Books, a new digital publishing company based in London.
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Chill Subs starts Lit Mag Incubator program

The website directory to find publishing opportunities especially in the literary and nonprofit community has announced a grant program.
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What Happens When We Treat Agents and Publishers as Genuine Partners

If you write material outside your agent’s wheelhouse, don’t be afraid of making an unagented pitch. Each success is a win-win for both of you.
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5 Reasons a Literary Agent Isn’t Going to Steal Your Story, Make Millions, and Cut You Out

A common anxiety for authors querying their debut is fear of someone stealing their story idea. Here’s why it’s not an actual threat.
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The Women’s Fiction Dilemma: A Contested Label Continues to Sell Books

Publishing industry professionals disagree on the definition of "women's fiction" but acknowledge its marketing value for readers.
Finding Publishing Opportunities in an Era of AI Disruption: Q&A with CEO Keith Riegert

Finding Publishing Opportunities in an Era of AI Disruption: Q&A with CEO Keith Riegert

While concerned about AI’s impact on publishing economics and discoverability, Keith Riegert remains optimistic about the enduring value of human-created content in an increasingly digital world.
Image: author Laura Stanfill speaks into a microphone at the launch event for her new book Imagine a Door on April 1, 2025 at Powell's City of Books in Portland, Oregon.

Trust Your Instincts: Why Writing for Yourself Leads to Better Books

When we try to write something because we feel we ought to, not because we want to, we stack the deck against ourselves.
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Small Press Survival: Innovative Funding Models When Book Sales Aren’t Enough

Funding strategies by small presses include pre-sales campaigns, crowdfunding, subscriptions, memberships, and strategic partnerships.
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It’s getting hard to sell fiction on proposal for established authors

Established authors have reported concerning changes in traditional publishing: editors increasingly demand complete manuscripts rather than accepting proposals. Response times have also lengthened dramatically, and ghosting has become common.
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AI & the Slush Pile: Lots of Experimenting but No Implementation (Yet)

Submissions management is one area where AI assistance might stand to improve things, but its use remains controversial.
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New science imprint at Farrar, Straus and Giroux

The mission: “publish books that illuminate and elucidate the central questions and fundamental ideas of modern science for readers.”
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How Much Do Blurbs Matter? A Look at All Perspectives

Within hours of an essay by S&S’s Sean Manning, major media outlets started calling up industry insiders to get their reactions.
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New crime imprint at Grove Atlantic

Independent publisher Grove Atlantic has launched Atlantic Crime, a new imprint that will release 18–24 titles per year.