AI

The two year old story is making headlines again, except this time with a focus on the notorious LibGen database.

Sudowrite, the leading generative AI platform for creative writing, has launched a new tool called Muse. They’re calling it the “first AI made for fiction.”

As organic search traffic declines due to AI use, will AI tools generate any meaningful traffic back to sites it uses to generate responses?

If you’re publishing a nonfiction book of any kind, it’s become part of your journey now to discover the first AI-generated knockoff.

There's already more to read than anyone has time to consume. Do generative AI tools really make the problem any worse than it is?

Submissions management is one area where AI assistance might stand to improve things, but its use remains controversial.

They’ve just launched ElevenReader Publishing, where authors can create and sell AI-narrated audiobooks for free through their app.

The deceptively simple USCO policy may not be so easy to enforce.

Sekai is an emerging platform that allows storytellers to co-create alongside other people using generative AI.

It pays 80 percent of proceeds to the author, although it’s yet to be seen what kind of money might be earned on a title-by-title basis.

A recent Woodrow Wilson biography features AI-enhanced century-old photos. What do readers think about the practice?

The Authors Guild recently published a statement asserting that standard book publishing agreements do not grant publishers AI training rights.

The Apple and Android app can bring realistic narration to any book, article, PDF, newsletter, or text that you import.

Don’t let buzzwords and trends mislead you about the viability or meaningfulness of a publishing startup.

And whether there’s risk of AI training on your material.

Smashing is a new free app meant to help people who are “drowning” in content and need help navigating the media

Tips, caveats, and a look at how counterfeit authors skirt the rules to get ahead.

Earlier this month, the Authors Guild announced a partnership with AI licensing agency Created by Humans.

The vast availability of training material for AI models leaves little leverage for individual authors.

When D2D surveyed its authors, some were worried a licensing deal with an AI company was imminent.

Ultimately, the statement spent far more time addressing anti-AI sentiment in the writing community, rather than expressing neutrality.

Narrators who work with clients through ACX can have their voices replicated by AI to audition for jobs or to narrate entire audiobooks.

Elizabeth Ann West and Stacey Anderson wrote two 17,000-word women’s fiction novellas in 21.25 hours from start to finish using

A conversation with Elizabeth Ann West, co-founder of Future Fiction Academy.

The CCC is a for-profit company that manages collective copyright licensing for corporate publishers and academic institutions.