You can be a beautiful and gifted writer yet fail to craft a compelling narrative. Joshua Henkin, in the latest Glimmer Train bulletin, elucidates, in a memorable and striking way, how to check your work for two critical factors of a successful story:
For a story to work, there needs to be both consequence and agency, and one way to tell whether your story is succeeding in this regard is to ask yourself a couple of questions. First, type your scenes out on separate sheets of paper so that it’s possible to scramble them. Can you scramble them? You shouldn’t be able to. … If you can reorder them, then the odds are your story isn’t driven sufficiently by consequence. Second, ask yourself what would happen if you yanked your protagonist out of the story. If the only thing the story would lose was your protagonist’s observations … then the odds are there’s insufficient agency in your story.
Read Henkin’s entire piece at the Glimmer Train site.
Also, check out these other articles:
- On achieving needed focus to start writing, from Maggie Shipstead
- On the difference between short stories and novels, from David Ebenbach
- On the risk and reward of writing what you know, from Natalie Sypolt

Jane Friedman has spent her entire career working in the publishing industry, with a focus on business reporting and author education. Established in 2015, her newsletter The Bottom Line provides nuanced market intelligence to thousands of authors and industry professionals; in 2023, she was named Publishing Commentator of the Year by Digital Book World.
Jane’s expertise regularly features in major media outlets such as The New York Times, The Atlantic, NPR, The Today Show, Wired, The Guardian, Fox News, and BBC. Her book, The Business of Being a Writer, Second Edition (The University of Chicago Press), is used as a classroom text by many writing and publishing degree programs. She reaches thousands through speaking engagements and workshops at diverse venues worldwide, including NYU’s Advanced Publishing Institute, Frankfurt Book Fair, and numerous MFA programs.





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What does he mean by agency?
A protagonist who acts—makes choices—and is not passive.
Such a great post. Love the idea of scrambling scenes. Brilliant.
I love Glimmer Train! I’d been with them since the beginning – I wish I’d kept the first issue…might be a collector’s item one day 😉 – and I’m pleased they’ve done so well.
Very good advice from Henkin (and thank you for explaining “agency;” I wondered about that myself).
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