A Marketing Service for Publishers That Don’t Have a US Office
Since Cursor is a publishing office, not just a PR office, they consult on areas such as backlist promotion.
Since Cursor is a publishing office, not just a PR office, they consult on areas such as backlist promotion.
The Hot Sheet reviews Amazon’s revenue in the UK, Japan and Germany for 2010 and 2016. People who own smart speakers find them essential.
As many as 342 authors weren’t paid correctly for the use of their content by Galaktika, a science fiction magazine based in Budapest.
AuthorCafé has major investment from TNQ, a tech company headquartered in Chennai, and is aimed at STEM authors.
Open Road has just reported that its revenue grew 23 percent in the first six months of this year over last year.
The Hot Sheet reviews the change in Amazon Prime membership from 2016 and the percentage of Amazon customers that are Prime members.
Consumer Intelligence Research Partners released an analysis of buyer shopping patterns for Amazon. Prime memberships doubled last two years.
Last year, Facebook opened up its Messenger platform to allow businesses to build and integrate branded chatbots.
Increased complaints from self-pub authors about gaming of Kindle Store rankings and the KU system, Some authors have left KU as a result.
Jellybooks has already run dozens of reader analytics campaigns spanning hundreds of titles for all types of publishers.
Ebook distributor Draft2Digital and audiobook producer Findaway Voices go live with new joint service to help authors produce audiobooks.
After the successful BookBub run, Open Road Integrated Media offered to advertise Steen’s books in their newsletters.
Infrastructure and resources required to sell directly to readers may make direct-to-consumer ecommerce unsustainable model for publishers.
The Budapest-based self-publishing platform PublishDrive has been singled out by Google Developers Launchpad for its accelerator program.
While ebooks remain a small part of the market in continental Europe at this point, the general industry thinking is that this will change.
The Hot Sheet reviewed the membership of the American Bookseller’s Association and the publisher sales data from 2016 compared to 2015.
This graphic from AAP StatShot shows the sales performance of trade book formats from traditional publishers between 2011 and 2016.
Self-publishing authors have largely been unable to access meaningful international-rights-trading activity without an agent.
Barnes & Noble’s fiscal year ended in April. We have earnings reports and commentary for the bookstore’s beleaguered performance in 2017.
The Hot Sheet reviews the percentage by age groups of people who read News online and the types of devices people use to view this info.
At BookExpo 2017, Kristen McLean from NPD Group presented worrisome data showing a decline in teen reading over the last two years.
For those working in the book business, it can be easy to forget that books represent just a fraction of Amazon’s interests and profits.
We are an industry that can’t accurately count its own output and can’t represent its value accurately because of incomplete data.
Cader underlines two key differences in how traditionally published and self-published authors make their money:
While Book Expo looked vacant, with much wider aisles and fewer exhibitors’ stands, the Javits Center teemed with enthusiasts during BookCon.
The largest BookExpo exhibitor in terms of space on the floor at the Javits Center was the international distributor Ingram Content Group.
As Anderson indicates, traditional publishers and audiobook publishers retain dominance in the digital audio market.
For a third year, the Audio Publishers Association (APA) has found growth of around 20 percent in audiobook sales in the United States.
The Hot Sheet looks at the growth of internet usage from mobile devices from 2015 to 2016 and also examines the growth of gamers worldwide.
The most anticipated slide pack in Silicon Valley: Mary Meeker’s Internet Trends Report. It dissects tech and internet trends across globe.
It’s once again time to revisit the fortunes and strategies of indie authors participating in Amazon’s ebook subscription service.
The $4.1 trillion Trump budget calls for the elimination of federal funding for some agencies like the National Endowment for the Arts.
BEA’s reduction to two days of floor display makes it harder for international exhibitors to justify the expense of attending.
The Hot Sheet looks at statistics for social media accounts per internet user and the adoption of internet usage by older Americans.
BookNet Canada released four deep-dive studies on book-buyer demographics in biographies, detective fiction, science fiction, and cookbooks.
Amazon Charts shows which titles have been Most Read and Most Sold in the past week in fiction and nonfiction categories.
Earlier this month, Tapas announced new functionality for creators to self-publish through their platform.
As is frequently the case, the industry reaction to Amazon’s application of its standard buy-box policy to books is probably overheated.
As the Authors Guild rolled out its Fair Contract Initiative in 2015 and 2016, one of its top targets was rights reversion.
The self-publishing community is often recognized and celebrated as being collaborative—and innovative in the process.
European Commission (EC) elicited “voluntary commitments” from Amazon to make two major changes to its contracts with publishers in Europe.
The latest initiatives from traditional publishers include new imprints from Rodale, Anansi Press and Little Brown.