Publishing Industry Reporting
New adult imprint at St. Martin’s Press (Macmillan)
The imprint is described as “commercial, voice-driven fiction with a focus on fantasy, speculative fiction, romance and genre-adjacent fiction.”
Disney launches Planet Possible Books
Disney will designate three to four children’s books annually as Disney Planet Possible titles.
New imprint at HarperCollins
Harper Influence is a new, general nonfiction imprint that will begin releasing titles this fall.
New UK imprint: Headline Press
Headline Press is a nonfiction imprint with a focus on politics, current affairs, history, personal development, popular science, and memoir.
Membership increases 9 percent for the American Booksellers Association
The ABA now has 2,433 members, which is 200 more than the previous year and double the number of 2016.
Calling all business authors: new author study
Business writing expert Josh Bernoff, along with several sponsors, are fielding a comprehensive survey of business authors.
Romance Writers of America: From Powerhouse to Bankruptcy
An expert on the history of romance writing over the last 40 years discusses how and why the RWA no longer serves as the central pillar for the writing community.
Book sales update: April 2024 & first quarter 2024
In April 2024, print book sales declined by 4 percent versus 2023, according to Circana BookScan.
Firebrand launches Publishing Innovation Forum
The Firebrand Group (which runs Firebrand Technologies, NetGalley, and Supadu) will host the three-day event in Nashville this September.
Two more publishers join Spotify’s audiobook offering
Spotify’s new audiobook subscription service already includes all of the Big Five publishers.
What Kinds of Stories Can Be Found in Serial Reading Apps?
In a word: romance. Stories are highly dramatic, romantic, sexually explicit and frequently feature werewolves, aliens, and cryptids.
US Book Show announces speakers
The US Book Show, a one-day publishing industry event, takes place this year on May 22 at New York University’s Kimmel Center—in person only.
New manga imprint
Kana is a new imprint from Abrams ComicArts, focusing on adult-oriented manga translated into English from Japanese and French.
An Insider’s Look at Royalty Systems: Q&A with David Marlin
Insight into the complexity and customization of royalty statements.
Reader Feedback on Distribution
My April 10 piece prompted responses from readers who work inside the industry, some of whom took issue with my portrayal of the business.
New imprint: Airwave Books
Airwave podcast network and BenBella Books are launching Airwave Books, which will feature nonfiction books by Airwave’s creators.
Recent Research Finds Ebook Lending Doesn’t Cannibalize Sales
While atypical lending models may affect book sales, an Australian publishing effort demonstrates that library lending can have a positive effect on the commercial market.
IMHO: About That Article on How “No One Buys Books”
Elle Griffin, who has long been a Substack advocate, surfaces many quotable nuggets and stats from the DOJ vs PRH trial from 2022.
Paper supply chain: an update from BISG
In the last year or two, production costs for book publishers have been responsible in part for declining profits.
New publishing company established by self-pub authors
Caroline Peckham and Susanne Valenti, the authors of the bestselling Zodiac Academy series, have established Dark Ink Publishing in the UK.
New publisher: JVL Media
Viola Davis and her husband, Julius Tennon, have announced the creation of a new publisher, JVL Media.
Book sales update: April 10, 2024
So far for 2024, print book sales are down by 1.7 percent versus 2023, according to Circana BookScan.
New children’s imprint at Sourcebooks
Two editors from HarperCollins, Ben Rosenthal and Mabel Hsu, are joining Sourcebooks to establish a new children’s imprint.
New Simon & Schuster imprint: Simon Acumen
A new business imprint, Simon Acumen, will publish books that help readers navigate the “dynamic world of work.”
The New Adult Category: Where Did It Go?
The term “new adult” may be more relevant to the writer and publisher than to the reader or retailer.