NetGalley experiences a data breach
On Dec. 21, 2020, NetGalley suffered a data breach that exposed user accounts, including passwords and personal information.
On Dec. 21, 2020, NetGalley suffered a data breach that exposed user accounts, including passwords and personal information.
On Public Domain Day (January 1 of every year), major works enter the public domain. This year welcomes F. Scott Fitzgerald’s The Great Gatsby,
Print book sales in the US remained strong through the holidays and end of the year. During the holiday season.
Launching this month, LiveWriters will provide news and resources about podcasting for the book community, a forum for industry discussion.
Author Lisa Amstutz has joined Storm Literary Agency; she has written more than 100 science and history books for children.
Publishers say they are committed to diversity and inclusion, but concerns linger that their efforts may be performative.
AI makes strides in writing and reading, new services and tools emerged to meaningfully assist publishers, authors, editors and marketers.
Written Word Media released the results of their latest author survey. This year, they’ve broken down responses based on authors’ incomes.
Robin Cutler recently retired as head of IngramSpark, the print-on-demand distribution arm of Ingram that serves self-publishing authors.
Rather than having to file a costly case in federal court, authors can now bring cases, without an attorney, to a Copyright Claims Board.
It’s called The Audacious Book Club, which is part of a new overall endeavor called The Audacity, debuting on January 11, with new writing from Gay
Redlining Culture, just released from Columbia University Press, is generating buzz and conversation in traditional publishing circles.
Going forward, the AAR will be known as the Association of American Literary Agents (AALA).
While the average person may not detect any changes at Goodreads, the company is retiring its API access and disabling existing API keys.
Many established authors started receiving emails from Blurbbist, a new platform that manages, and enables payment for, book blurbs.
In our last issue, we rounded up multiple viewpoints on the potential of the Big Five becoming the Big Four.
Print sales continue to run ahead of 2019 according to NPD BookScan, which tracks sales through brick-and-mortar and online retailers.
BookFunnel, the service used by many authors to distribute digital review copies and giveaways (as well as sell ebooks direct), can now deliver digital audio.
Last year, Penguin Random House shut down its imprint Spiegel & Grau, run by the well-known veteran editors Cindy Spiegel and Julie Grau.
The new imprint, Roc Lit 101, will be partly overseen by One World publisher and editor in chief Chris Jackson.
Gardner, well-known for advising writers through her blog, is launching Gardner Literary, a full-service agency “representing diverse authors at the crossroads of faith and culture.”
2020 was unique in that success (or failure) depended largely on a completely external factor: the pandemic
Wicked Son will focus on “publishing sharp-edged political and cultural commentary as well as history, fiction, philosophy, and other books of Jewish interest.”
This chart based on sales reports from the US divisions of Big Five publishers. Figures gleaned– Publishers Weekly and Publishers Lunch
Little Simon Graphic Novels will publish for readers aged five to nine; so far, all titles are based on existing series.
As word spread about the successful bid of Penguin Random House to acquire Simon & Schuster, industry advocacy organizations spoke out quickly.
Welbeck Flame is a new initiative from Welbeck Publishing Group. The imprint will open wide to submissions in January.
The American Booksellers Association has helpfully compiled a list of new imprints launched this year from small and large publishers alike.
Amazon Publishing is in talks with the DPLA to offer its ebooks to libraries through DPLA’s ebook reading platform, SimplyE.
Many small publishers supply Amazon with books through the Amazon Advantage program, a consignment program with a $99 annual membership fee.
The slow demise of the event is partly related to its declining relevance to booksellers.
The pandemic has influenced agents’ reading and acquisition tastes and sharpened their perspective on industry priorities.
Emerging platforms continue to evolve and figure out what readers want, and all of them have modified their offerings or model at least once.
Even though in-store retail shopping fell dramatically on Black Friday compared to last year, activity on Cyber Monday increased anywhere from 20 to 45 percent.
CEO James Daunt said B&N expects to see sales decline 20 percent in 2020, assuming December sales are good.
2020 is expected to be the best year on record for traditional book publishing sales since NPD started measuring the market.
After a public complaint on Twitter about the publisher’s poor treatment, AW&C president John Quattrocchi posted an open letter to authors.
The announcement asserts that the “current revenue model” is no longer sustainable.
On the first day of publication, Barack Obama’s A Promised Land sold more than 887,000 units in all formats and editions in the US and Canada.
Authors demand increased transparency for audiobook returns and additional changes to Audible’s return policy.
The question on everyone’s mind: Will any of the Big Five risk the backlash involved in publishing a post-presidency memoir authored by Donald Trump?
Regardless of how you publish, every author has access to a free Amazon Author Central account.
The same group that brought you Authors A.I. has now launched Binge Books, a book discovery site for fiction.
But the greater demand for books during the pandemic contrasts sharply with the hardship faced by brick-and-mortar booksellers
The imprint will launch in 2022 and publish across practical nonfiction categories, including health/wellness, business, self-help, and more.
In a world where book browsing is happening online, publishers are beginning to realize the importance of a clear brand identity.
The imprint, housed under the Atria Books division, is headed up by radio presenter, television personality, and author Charlamagne tha God.
The online publication to help inform anyone seeking to enter the Australian book industry has been launched by two university students and a recent graduate.