Image: In a large, richly detailed public library a man sits writing at a table, surrounded by stacks of reference books.

It’s Not About the Research: How to Write for a General Audience When Academia Is All You Know

Academia lets writers get away with stringing together facts, but appealing to a general audience means constructing a compelling narrative.
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How Printing Innovations (and More) Created an Enduring Class Divide in Books

An excerpt from Michael Castleman’s The Untold Story of Books details the origin of copyright, and how paper innovations created pulp fiction.
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Why Your Revision Shouldn’t Start on Page One

Just as you wouldn’t paint a house under construction, you need to revise with an eye on story structure before you dress up the writing.
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Be Yourself So Your Readers Can Find You

Brand strategy helps you understand and articulate your value in a world that desperately needs you to show up as who you truly are.
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Free Resources for Writers at the Public Library

Writing is often a lonely endeavor, but it doesn’t have to be. Your library offers valuable services and a gateway into the local writing community.
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How an Academic Editor Can Help a Scholar Write a Better Article

A good editor can help a scholar ensure that the complexity of what they are writing about is intelligently and clearly conveyed.
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The Pitfalls of Expert Advice

Expert advice is valuable but it’s how you assess it that makes it meaningful and useful, because what works for one writer may not work for another.
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Keep Your Novel Out of the Dreaded DNF—Did Not Finish—Book Club

As an author, what steps can you take to write a book that the vast majority of readers will want to read all the way through?
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The Missing Link in Memoir Character Development

Knowing your character’s worldview, carry-in, and carry-over issues will help you build strong cause-and-effect that propels your story forward.
Image: mural painted on the exterior of a shed door, of two cartoon characters sitting against the base of a tree next to a lake in a forest. Over the scene are painted the words "Are you happy?" and underneath are the word "Yes!!!" accompanied by an arrow pointing to the left and "No…" accompanied by an arrow pointing to the right.

What to Ask Your Beta Readers

Giving your beta readers structure makes it easier for them, and helps ensure that your specific concerns will be addressed.
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How Symbols Can Support Your Writing Life

Life speaks to us through symbols that help us learn, grow, heal, and create, if we slow down and listen.
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What Do We Really Mean When We Say “Show, Don’t Tell”?

Limit telling to between-scene summaries. In-scene, showing is what pulls readers into your story through clear actions and emotions.
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How Naming a Character Is Like Naming a Child

Choosing a name, either for a real human or a fictional one, involves a blend of logic and intuition and can feel deeply consequential.
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When Writing Gets Hard: 3 Hidden Causes of Writer’s Block

When your writing hits a wall the solution is often to stop for a moment, take stock, and look deeper into what it is you’re trying to write.
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Writing Lessons from Jane Austen: Story Questions and Northanger Abbey

As an early architect of the novel form, Austen’s use of a unifying thematic question contributed to the development of long-form narratives.
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Crafting Memoir with a Message: Blending Story with Self-Help

When executed well, a memoir with a message can touch lives through the power of personal narrative combined with practical wisdom.
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Choosing Story Settings Based on Genre

Whatever settings you choose, they need to align with your theme, support the plot, and help define your characters.
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The Compounding Value of Small Group Writing Retreats and Intensives

A writing retreat attendee shares some of the unique benefits that intensive study offers versus conferences and online classes.
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How to Stop Gaslighting Your Memoir Writing Process

If someone has repeatedly hurt you, trying to make them more redeemable on the page might hit your gaslight button. But it doesn’t have to.
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Is Your Story “Big Enough” to Write About?

We all have limiting beliefs that essentially all say the same thing: you are not good enough so stop writing. They are not true.
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Defining Negative Space in Story

When you manipulate spaces in between with intention, your readers will stay intrigued by emotion, mystery, and ambiguity.
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The Double-Edged Sword of List Building Promotions

Third-party promoters who offer to pad your email subscriber list for a fee might be attracting the wrong type of readers.
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How to Write Compelling Inner Conflict

When we show our character’s cognitive dissonance—wrestling with conflicting beliefs—readers can’t help but relate and empathize.
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5 Reasons You Should Consider Writing Your Memoir in Present Tense

Present tense is tough to execute and doesn’t suit every writer or every memoir, but here are a few reasons to give it a try.
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3 Book Marketing Misconceptions and What to Do Instead

Shifting your understanding and approach to book marketing can transform it from a dreaded chore to a rewarding part of our journey.