New agent: Brian King at Metamorphosis
Brian King is seeking YA and adult fantasy and romantasy. He has years of experience writing and working for Barnes & Noble.
Penguin Random House launches KPop publishing program
PRH is collaborating with Netflix, which streams KPop Demon Hunters, to publish “fan-forward” titles about the show.
New nonfiction publisher: Full Set
The Dublin-based publisher will focus on current affairs and business titles with a global focus.
Everand and Fable release “state of reading” report
The headline finding is that personal recommendation is the top source of book discovery, surpassing social media and platforms like Amazon.
YouTube Offers Revenue and Readership for Self-Publishing Novelists
YouTube is the second-biggest search engine, and I spoke with three savvy authors for whom it’s a key driver of readership growth and revenue.
Spotify’s Wrapped now includes audiobooks
For the first time, the personalized data story that recaps a user’s listening habits throughout the year includes audiobooks.
Perplexity sued separately by New York Times and Chicago Tribune
The lawsuits accuse Perplexity of retrieving information in real time from paywalled sites without licensing.
IngramSpark will increase pricing in 2026
As of Feb. 1, 2026, IngramSpark is increasing their pricing in two different ways: distribution fees and production costs.
Why Your Memoir Feels Like Rambling (and How to Fix It)
Having analyzed over 1000 memoir manuscripts in a 15 year span, Wendy Dale found two linked components of powerful, plot-driven storytelling.
It’s Not About You: Your Memoir Is Someone Else’s Story
The person on the page can’t be the person writing the book. Because if your life has changed enough to write about, you aren’t that person anymore.
My Brush with a Pay-to-Play Book Award
The majority of book awards are pay-to-play deals. Some do little harm, others are genuinely useful, but most make no difference to your career or sales.
In memoriam: Porter Anderson
We remember the late Porter Anderson, who in 2015 co-founded (with Jane) The Hot Sheet email newsletter known today as The Bottom Line.
Smashwords store adjusts royalty rates for 2026
The Smashwords store (owned and operated by Draft2Digital) has announced a new royalty rate structure that will go into effect on Jan. 1, 2026.
New literary agency: Starling Literary + Media
Starling will represent children’s authors and illustrators as well as authors of adult fiction and nonfiction.
UK publisher, Pan Macmillan, creates AI lead
Sara Lloyd has been appointed to a new role to determine the publisher’s AI strategy across its English-speaking operations.
One of the lawsuits to watch: OpenAI in the Second District
In one case, the judge has ordered OpenAI to provide in-house communications about deleting datasets they used to train ChatGPT.
Coloring Book Sales Surged in 2016. How Do They Perform Today?
A deep dive with three traditional publishers who remain active in the coloring book market, each of them with a different approach.
The Case for Shrinking Your Novel
Even experienced novelists overwrite. Here are five insights about ruthlessly cutting a manuscript—and why that’s a good thing.
Why Print Never Died
This excerpt from the new book Digital Inc. by Richard Curtis examines why ebooks failed to supplant print as many tech pioneers expected.
On the List: Troubling Tonsils by Aaron Reynolds and Peter Brown
This is the first book in a spinoff series from the New York Times bestselling and Caldecott Medal–winning Creepy series.
Links of Interest: Nov. 26, 2025
The latest in social media, traditional publishing, culture & politics, and AI.
James Patterson launches prize for debut books
James Patterson and Bookshop.org are partnering on a $15,000 literary prize for debut books. Nominations open on January 5, 2026.
The Black List partners with Blackstone Publishing
The venture promises to identify an unpublished novel that will receive a $25,000 contract from Blackstone—but there’s a price.
IMHO: AI and the Trough of Despair
Last week in New Zealand, two books by esteemed authors were disqualified from competing for a national book award—comparable to the US National Book Award—because of AI artwork on the covers. But policies that disqualify AI work from awards or other consideration may not be sustainable for very long.