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What Does It Mean to Have a Compelling Voice in Your Story?

In storytelling, voice can refer to three different elements: character voice, narrative voice, and author voice—and they can often overlap.
Image: a copy of Jane Austen's Pride and Prejudice is open to the title page, surrounded by a teacup and dried roses.

Writing Lessons from Jane Austen: Cause and Effect in Pride and Prejudice

While many 19th century novels have fallen by the wayside, Austen’s continual appeal may be understood in the way she built her plots.
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Breaking Bread: The Role of Food in Building Character

Food is a powerful storytelling element that can help develop characters, and a great tool for putting ‘show, don’t tell’ into practice.
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How to Reconnect with a Draft You No Longer Want to Write

If the manuscript you once felt passionate about has fallen silent, here’s why this may be happening and how to gently find your way back.
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Why Fictionalize Memoir?

A writer wishing to bear witness and breathe new life into her family’s stories compares how three authors blended memoir with fiction.
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Write Where You Know

Whether you choose a real or fictional location, the more detail and depth you can infuse into your setting, the better you’ll draw readers into your story.
Image: In Cairns, Australia, two Welcome Swallows stand on a rope, one with its beak open and facing the other, as if speaking angrily, while the other looks somewhat taken aback.

Developing Antagonism in Your Story

The more clearly you develop and articulate antagonism in your story, the more your protagonist’s struggle and victory will shine.
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The Activist Memoir: How to Write for Change

While many memoirs’ stories are personal, others are social or political—and the best succeed by making readers feel what the author felt.
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How to Turn Real Family Stories Into Compelling Historical Fiction

The stories we carry from our families may seem ordinary, but fictionalizing them can honor our roots and keep them alive for future generations.
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Readers Are Fascinated by Truth in Fiction—and It Matters

Books might be marketed as fiction, but it’s the truth and possibility thereof that intrigues us and offers understanding and connection.
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Mining for Theme in Children’s Books

A hazard of writing for young readers is the temptation to craft stories with a lesson, when more richness might result from finding your theme.
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The Villain Is the Hero of Their Own Story

Since villains usually consider themselves heroes, they can also go through the same stages heroes do—with some important variations.
Image: photo of a darkened interior gallery in which people observe Luke Jerram's art installation titled Museum of the Moon, a highly-detailed and illuminated scaled replica of the moon which hovers in mid-air.

Using AI to Explore Scientific Realism and Build Story Bibles for Fiction Writing

A sci-fi writer explores how AI can help keep her scenarios grounded in reality and maintain a story bible for world-building consistency.
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Plot, Character, or Situation: Your Story’s Entry Point Determines Next Steps

Knowing which facet most drives the story you want to tell can help you determine next steps and avoid the most common manuscript missteps.
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What Isn’t Said Still Screams: Writing Subtext in Horror Fiction

Emerging writers often focus on plot and action—both essential!—but the true pulse of horror comes from what festers just beneath the surface.
Image: a young woman wearing handcuffs sits at a table, staring blankly at the man sitting across from her who has a gun at his side.

How POV Affects Character Inner Life

Tips from a career editor on how the type of POV you choose affects the way you give readers access to your characters’ thoughts and feelings.
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How a Misbelief About Love Can Be a Guiding Light for Your Romance Characters

Understanding what holds your characters back from loving or being loved fully will equip you to write a romance with a compelling arc.
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How Writing Romance Has Made Me More Creative

One author learns that putting boundaries—such as genre expectations—around creativity can actually stimulate it rather than inhibit it.
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When to Let Go: Recognize the Point of Diminishing Returns in Revision

Embrace the fact that creation is never truly finished—it’s simply released at a point where it can begin its life in the world.
Image: The author’s graphically-designed table representing the story blueprint of his novel The Corpse Bloom, showing forty color-coded blocks that identify the book’s scenes, beats, characters, settings, timeline, and plot structure.

A Novel Blueprint for Building Your Book

One author finds that using digital tools to create a visual story grid is the trick he needs to crystallize his ideas and never miss a beat.
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Don’t Ruin the Mystery: How to Reflect in Memoir Without Giving It All Away

What draws readers into your story is the mystery of how you achieved your transformation, so reflection must be handled carefully.
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Sensitivity Reading in Speculative Fiction: Why It Matters More Than You Think

No matter what story we read, we bring ourselves with it. That’s why sensitivity should be the forethought, not an afterthought, in our world-building.
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POV Bright Spots and Blind Spots

Every narrative point of view has something it does well and something it doesn’t do as well. Here’s a look at how they compare.
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It’s a Book, Not a Slide Deck: Avoiding Fast-Content Habits in Nonfiction

Bulleted lists and unbridled text formatting might work online, but overuse in a book can risk distracting readers instead of guiding them.
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Immersive Interiority: How to Collapse Narrative Distance to Get Emotion on the Page

A few simple language shifts can take your reader from watching people on the page to feeling like they’re right inside the scene.