SELF-e offers self-published authors a way to distribute ebooks to libraries, but without any pay. The team behind SELF-e addresses the money issue.
Journalist and consultant Porter Anderson explains the new SELF-e program from Library Journal for getting self-published ebooks into American libraries.
Table of Contents “When the industry looks out of the window” Jane Friedman: Porter’s Brain My Fellow Millennials “When the industry looks out of the window” You know me. I’d just amend Tom Chalmers‘ good line this way: When the industry! the industry! stops the internal debate and looks out of the window, it will […]
While lots of authors are fond of saying that readers don’t care whether something is traditionally published or self-published, many of them also want to tell you there’s this marching army of indie-only reading author. So which is it going to be?—they’ll read anything? or they’ll read only free-range indie books?
Table of Contents The White Noise of Falling Royalty Rates Ask the Question, Give No Answer Difficult Interpretations: “Not Your Friend” The White Noise of Falling Royalty Rates In Audible Lowers Royalty on Self-Published Audiobooks, Publishers Weekly announced it this way: Up until now, Amazon was offering an escalating rate of 50%-90% on ACX titles sold exclusively; […]
Shanna Swendson, author of the Enchanted Inc. series of books, is working what some authors might consider near-magic in a transition from traditional publishing to self-publishing. And she’s getting savvier about it fast.
Much shorter and quicker to go over than the initial report, this edition takes into account information interpreted from approximately 11,000 titles in genre fiction; 900 in literary fiction; 30,000 in non-fiction; and some 10,000 in children’s (not YA) fiction. Hugh Howey has, since the first report, adopted a more frequent use of the term “spider” for the software his still-unnamed associate is deploying.
You may be looking at the best chance ever encountered for authors—of all stripes, Ms. Rowling, as Hugh Howey tells us—to at last come together, to make common cause, and to speak as one with a force this industry has never known.
Table of Contents “To Call for Change Within the Publishing Community” “To Stand Up for Each Other” “A New Era of Openness” “I Didn’t Have a Social Life Before” “To Call for Change Within the Publishing Community” This is how a movement might start: Indie authors are outselling the Big Five. That’s the entire Big […]
Table of Contents Is Publishing a Class System? Jane and Jason: “Inclusion of All Paths” Don and Doubt: “Not the glorious revolution” Hugh’s House: “Commitment to Advocacy” Philip and the perplexity: “Amazon will roar back” Is Publishing a Class System? What is important are the ethics of publishing. If I knew what’s good for me, […]
Table of Contents Lit Smart Rebecca Hugh and Cry Combat in the Community If You See Us Running… Lit Follow that burning fuse. It runs between these two curiously different words. We may need to think about which of them is closer to us. Revolution. Pretty comfortable. Thanks to Madison Avenue, we nowadays say “revolution” for […]
Table of Contents Read It and Tweet No Anti-Social Scientists, Please “A Two-for-One Special” Our “Bifurcating Future” Read It and Tweet A funny thing happened to me on Twitter this week. I “crafted a tweet.” (Sounds so “artisanal” that way, no?) This was the kind of tweet in which I like to mention a new […]
BEA’s Steven Rosato is proving himself as good as his word. If some saw a failure in BEA last year to offer entrepreneurial authors a place at the publishing table like that LBF had provided, Rosato and his team saw the experience as an opportunity to rethink, revise, and renew. The uPublishU Author Hub at BEA is being established as an operational, fully functioning home base for entrepreneurial authors at the heart of BookExpo America.
DBW’s producers at F+W Media may take their mission even more seriously than usual: this DBW takes place in a winter without a Tools of Change (TOC) conference from O’Reilly Media.
Table of Contents Nobody Dast Blame Us Maass Production Wendigging It Nobody Dast Blame Us You know the line, right? It’s Charley, in Death of a Salesman: Nobody dast blame this man. You don’t understand: Willy was a salesman. And for a salesman, there’s no rock bottom to the life. He don’t put a bolt […]
BULL Men’s Fiction is a newly relaunched site (just this month) and a print magazine, about 130 pages, published twice a year.
Table of Contents They Three Queens of Orient Were Hope and Fear #1: Visibility Hope and Fear #2: Literary Fiction Hope and Fear #3: Rest They Three Queens of Orient Were If they’d been guys, they’d never have made it to the Nativity. Once the OnStar of David navigation system got behind a few clouds […]
If we want to count all the self-publishing authors, then we need to survey and count every hapless no-income-from-writing would-be traditionally published author who gets nowhere and ends up at the bar next to me discussing the superb color that Milan puts into Campari.
Our surveys are counting the self-publishing losers.
Our surveys are counting only traditional publishers’ winners.
Table of Contents Notes Defensive Reading “Anything Except Readerly Books” “Print versus Digital” “Where I Get Unhappy” Those Lists Notes (1) As you may know, I’ve begun a weekly feature with The Bookseller in London, “Porter Anderson Meets,” in which I interview a newsmaker each Monday, live on Twitter, and then produce an article from […]
Michael Tamblyn of Kobo was The FutureBook’s Most Inspiring Digital Dude of the Day and, I’m sure, of many days to come. In a finely arranged conference full of important and edifying detail and personality, Tamblyn seized that room’s collective intelligence with gratifying honesty, pink lightning on a bare stage.