Image: a man with long, curly, red hair and wearing colorful medieval garb stands in a forest and brandishes a sword at the viewer.

Tropes: The Good, the Bad, and the Ugly

Just as a painter uses brushes and colors to blend and create, writers can experiment with tropes to make stories both familiar and refreshing.
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Scene, Summary, Postcard: 3 Types of Scenes in Commercial, Upmarket, and Literary Fiction

Understanding how to use them, and how to balance different types of scenes within a single narrative, is crucial for becoming a skilled storyteller.
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When—and Why—Reveals Don’t Work

It’s an author’s job to create questions that readers crave the answers to, but questions posed with unclear stakes or context can backfire.
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Structure: The Safety Net for Your Memoir

The more faith you have in your story’s structure, the more you’ll become the safety net your reader is hoping for.
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3 Ways to Experiment with Memoir Structure to Improve Your Narrative Arc

Playing around with different storytelling forms during manuscript revision can lessen anxiety and reveal new possibilities.
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What Taylor Swift’s Vault Tracks Can Teach You About Not Killing Your Darlings

If a scene, storyline, character, or image doesn’t quite belong in your story, save it for later use—as Taylor Swift does with song ideas.
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Writing Rules That Beg to Be Broken

Aspiring writers are inundated with rules to follow—but writing is creative, so don’t look to prescriptions or those who preach them.
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Demystifying Miscreant Memories and Crafting a More Authentic Narrative

Memoirists owe it to readers to tell them the truth. But what do you do when the truth isn’t black and white?
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Designing Thriller and Mystery Twists That Work

Twists feel “twisty” because the author has carefully engineered the story to mislead readers via the protagonist’s journey and assumptions.
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Avoid Random Acts of Content

One way to cultivate a loyal audience is by sharing compelling content, but it’s important to understand the needs of your target audience.
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How to Write Realistically About Drug Use in Your Novel

A new book, The Grim Reader, helps authors understand how to write convincingly about drugs and their use.
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The Über Skill for Writers

By paying attention to how you are impacted by story, you can learn to trace those effects back to the techniques that elicited them.
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4 Things Every YA Writer Should Know About Teens

A good novel has everything teen brains are primed to crave—excitement, emotion, and escape.
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Add a Luke Skywalker Moment: Give Your Main Character a Bitter Choice

For a memorable story, give your main character a strong motive, a flaw, and a series of escalating decisions leading to an impossible choice.
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What Sleeping With Jane Eyre Taught Me About Pacing

Going too fast is one of the biggest mistakes storytellers make. When you arrive at a moment readers have been waiting for, slow things down.
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One Well-Chosen Detail: Write Juicy Descriptions Without Overwhelming Your Reader

It takes practice to write immersive descriptions that draw readers in, without going overboard and risking boredom or loss of attention.
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Embrace Your True Subject: A Writer’s Case Study in Running from (and Returning to) Herself

An author considers how we often try to turn ourselves into other kinds of writers instead of following our internal compass.
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How High Stakes Keep Readers (and Viewers) Invested

Shonda Rhimes’s Netflix series is a master class in amping up stakes and keeping viewers invested in the characters’ outcomes.
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How to Read (and Retain) Research Material in Less than Half of Your Usual Time

Too many books and not enough time? One author learns that speed-reading print and audiobook versions simultaneously can enhance retention.
Image: a black and white photo of a woman walking down a massive indoor staircase on which a quote from Anish Kapoor is painted in large letters spanning many of the stair risers: "All ideas grow out of other ideas."

How to Turn an Essay into a Book Deal

In marketing, “proof of concept” means testing an idea for sales potential before going all-in. Here’s how to apply that to your book.
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Why I Prefer to Read Fiction without Lessons or Messages

As with abstract painting, fiction can find worth in technique rather than specific meaning—emphasizing not the What, but the How.
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What It Means to Make Your Story Relatable

When author and readers have little in common, what makes writing relatable? A teacher examines Anne Lamott’s Bird by Bird to find out.
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How Connected Settings Give Your Fiction Emotional Depth

To create unforgettable scenes, purposefully choose settings that trigger character emotions, intensify conflicts, or evoke specific moods.
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How to Create Character Mannerisms from Backstory Wounds

To be vivid on the page, each character you write should display life-long emotional responses to wounds that occurred in their past.
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The Flashback: A Greatly Misunderstood Storytelling Device

Flashback can be a potent tool for presenting essential backstory, as long as you apply it without interrupting the story’s forward momentum.