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Don’t Fall for These 5 Writing Myths That Can Set Back Your Writing

As writers, we often cling to certain myths that suck up emotional energy and reinforce practices that undermine the creative process.
Get in Front of Readers’ Doubts and Objections

Get in Front of Readers’ Doubts and Objections

When writing a prescriptive nonfiction book, anticipating doubts and objections lets your readers feel seen and keeps them on the page.
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How Suspense and Tension Work Together to Increase Story Impact

Skillful authors weave suspense and tension to draw readers through stories on a taut thread of unanswered questions and constant frictions.
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7 Questions to Reboot a Nonfiction Book You’ve Been Writing Forever

Focusing on your “just right” reader—instead of trying to convey everything that every reader might need to know—can help combat overwhelm.
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Moving Between Scenes with Summary and Spacers

What’s between scenes is like mortar—necessary for your story’s structure, but not significant—and well handled using summary and spacers.
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Good Scenes Require Specifics

A little preparation—noting environmental details, character moods and motivations—will make a big difference in the way your scenes unfold.
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The Secret Side Careers of Successful Authors

Many successful authors maintain side writing careers, in less glamorous forms such as grant writing, copywriting, and ghostwriting.
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The Building Blocks of Scene

“Making a scene” in public often happens spontaneously, but creating emotionally compelling scenes on paper requires considerable planning.
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3 Things I’ve Learned About Storytelling (and Life) from Performing Narrative Nonfiction

One author’s tips for performing your stories in front of a live audience.
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7 Questions to Design a Better Arc of Change for Your Protagonist

Your novel’s external and internal parts must be intricately woven together to create a work that truly resonates with readers.
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Improve Your Own Storytelling by Analyzing Other People’s

One of the best ways an author can learn their own storytelling craft lies in what we already avidly do: take in other creators’ stories.
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How (and How Not!) to Write Queer Characters: A Primer

Tips for avoiding stereotypes and tokenism, and presenting more interesting, complex, three-dimensional queer characters.
Why Agents Don’t Give Feedback—And Where to Get It Instead

Why Agents Don’t Give Feedback—And Where to Get It Instead

Providing feedback to every pitch would leave agents no time for their existing clients. Instead, check your own first pages for weak spots.
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Looking for a Beta Reader? Flip That Question Around.

Beta reading for others can be a creative education. Lean into that, and your future books will be all the better for it.
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The Julie & Julia Formula: How to Turn Writing Envy Into Writing Success

Dedicated and even obsessive engagement with another creator’s work can open unexpected doors for your own writing.
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Nonfiction Writers: Find Your External and Internal Why

Does my story matter? Is it good enough? They’re questions every writer asks, and the way to answer them is to connect to your why.
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How a Little Psychology Can Improve Your Memoir’s Setup

The early part of your memoir should reveal the short list of narrator flaws and problems you’ll resolve by the end of your book.
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Why Write When the World Is on Fire?

In times of sickness, cultural upheaval, and real existential threats, perhaps stories matter more than ever.
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Your Journal as Time Machine

The pages of your journal can be a time machine, transporting you from the here and now to snapshots of your internal world, over the years.
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To Nail Your Memoir’s Beginning, Stop Looking in the Wrong Direction

Your book’s ending must reveal the story’s resolution. Once you know what you’re resolving, you can establish a clear path for getting there.
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The Vital Difference Between Plot and Story—and Why You Need Both

By spending as much (or more) time weaving a dynamic Story as you do creating a flashy Plot, readers will walk away feeling satisfied.
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Not a Journal Person? Post-Pandemic Might Be the Perfect Time to Start

Here are some of the many ways that a journaling practice can serve as a laboratory for your writing, and your life.
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Is Journaling a Waste of Writing Time?

Not only can a journaling practice sustain and inspire your writing projects—a commitment to it can inform and improve your entire life.
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Why Frankenstein Still Sells 40,000 Copies a Year

The more important and perennial a problem that a book addresses, the better the chances it will survive the test of time.
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How to Gracefully Leave Your Writing Group

Wanting to leave your writing group doesn’t make you a jerk. Departing with grace is an act of kindness that furthers your development and the friendships you cherish.