Barnes & Noble’s Strategy: It’s All about the Books
CEO James Daunt discusses the necessarily slow journey to improve, store by store, after the chain was run by “numpties.”
CEO James Daunt discusses the necessarily slow journey to improve, store by store, after the chain was run by “numpties.”
Editors look for stories most compellingly told on audio; quicker time to market can play a role, too.
Previously an editor in academia, Kelly Bergh has joined Lucinda Literary as an agent.
Paw Prints Readers will publish works exploring diverse cultures and backgrounds.
Ten Speed Graphic will publish literary adaptations, global webcomics, biography, memoir, history, how-to, fiction, and licensed entertainment titles.
Starting June 20, for the first time since its launch in 2016, Amazon KDP will increase the pricing for print (POD) books.
PEN America—along with Penguin Random House, authors, and parents—has filed suit in federal court.
For the week ending May 13, Circana BookScan reports many new releases among the top print bestsellers in the US.
A recent incident in which authors were suddenly dropped from a literary agency highlights questions about what authors can expect from agents.
Ream recently moved out of beta and is open to any author who wishes to join.
Ana Huang is a USA Today, international, and number-one Amazon bestselling author.
Sydney Rogers is currently executive editor at HarperOne (HarperCollins), which specializes in nonfiction.
Re-Discovery Lit at Open Road Media will publish out-of-print titles and books where rights have reverted to the author.
Fern Press will operate as part of Vintage at PRH UK, focusing on nonfiction.
Australian publisher Hardie Grant is launching its children’s imprint, Bright Light, for the North American market.
The TikTok Book Awards will launch this year, with a curated longlist based on BookTok data, publisher contributions, and a panel of judges.
The latest in traditional publishing, AI, social media, the creator economy, audio, and culture & politics.
PRH, the biggest of the Big Five publishers, has acquired Callisto Media, a startup publisher that’s fallen on hard times after their venture capital funding dried up.
SFF publisher Orbit (a division of Hachette) has announced Orbit Works, a new imprint that will publish ebooks and audiobooks.
Each season will be based on one of the seven Harry Potter books and available for streaming on Max (formerly known as HBO Max).
Lost Art Press in Kentucky has benefitted from abandoning industry norms.
Casemate is an independent publisher that publishes primarily military history books.
HarperCollins CEO Brian Murray said the publisher is experimenting with generative AI for translated and illustrated book projects.
Kobo Plus is extending service into the UK and the US, and Draft2Digital has now added Kobo Plus to its standard Kobo distribution.
While it’s already well known that AI has been trained on websites and books, a Washington Post report has made that fact even clearer.
If you want to learn how to earn money selling subscriptions direct to reader, the folks at Ream are hosting a three-day summit May 5–7.
Amazon’s Kindle Unlimited payouts to self-published authors—determined after the reading takes place—took a recent nosedive.
The latest news about London Book Fair, literary magazines, tradition and self-publishing, libraries, B&N, AI, and culture & politics.
Love in the Library is a picture book about how the author’s Japanese-American grandparents met at an internment camp during World War II.
In a profile of James Daunt, it’s revealed that the chain now has returns down to 7 percent from its previous average of 30 percent.
According to Circana BookScan, 2023 print sales are down by 2 percent in the US versus last year—but running 15 percent ahead of 2019.
ALLi offers insights into the often-ignored self-publishing market.
Mary Alford is the USA Today bestselling and award-winning author of more than 50 novels.
DSTLRY was founded this month by former executives at ComiXology (owned by Amazon).
The site reads, “As with any tool, the effect that AI can have on writing and publishing has equal potential for benefit as well as harm.”