
ONLINE CLASS
Mastering the Art of the Synopsis
Learn to write and edit a synopsis that makes editors and agents eager to read your work
INSTRUCTOR
Jessica Strawser
DATE & TIME
Wednesday, Sept. 16, 2026, at 1 p.m.–2:30 p.m. EDT
IDEAL FOR
Anyone pitching their first novel or memoir
ACCESSIBILITY
Closed captions automated by Zoom; transcript provided with recording
It’s one of the most despised documents of all time: the synopsis. Agents and editors sometimes ask for a synopsis because they need to know—from beginning to end—what happens in your novel or memoir.
Wait, what’s a synopsis? It’s not the same as a brief description of your book that goes into a query letter. Learn more.
The synopsis reassures publishing professionals (before they spend time reading your manuscript) that the way your story plays out lives up to your query letter’s pitch, with character actions and motivations that are realistic and make sense. It shows them the scope of your work and how well it is paced. And it might reveal big problems in your story—e.g., “it was just a dream” endings, lack of plausibility, a category romance ending in divorce. It can also reveal wonderfully complex characters and masterful plotting.
In this 90-minute live class with Jessica Strawser, you’ll go beyond the basics of what a synopsis should include to learn how to write a synopsis that’s lean, powerful, and engaging. Just as important, you’ll get examples of what to avoid.
By the end of the session, you will:
- Identify the best way to introduce your characters (as well as the ineffective way)
- Reliably and consistently assess what information or detail you should leave out
- Give your summary momentum so your plot flows naturally as the stakes build
- Get tips for handling multiple points of view or timelines
- Avoid “synopsis speak,” where you end up with a mechanical and emotionless series of plot events
- End your synopsis with a satisfying tone, honoring the conventions of your genre
- See examples of synopsis dos and don’ts in action
Feedback opportunity: If you’re open to having your synopsis used as part of the presentation for constructive critique (Jessica will be kind), you can include a draft when you register. Your identity will be kept confidential, but of course your story details will not.
Keep in mind that only a handful of registrants will see their materials critiqued during this session, and it won’t be a formal or full critique. But it’ll still be fun and useful!
Who should take this class
- Novelists, all genres
- Memoirists
A note for memoirists:
The basic principles of narrative storytelling—stakes, voice, obstacles, character arc, etc.—apply to both novels and memoirs. This class will utilize examples that have a clear narrative, and memoirists seeking traditional publication will benefit from thinking about the similarities between novels and commercially successful memoirs. But writers of “quiet memoir”—manuscripts that lean greatly on interior contemplation and don’t necessarily have a defined narrative through-line—should consider seeking a different class more tailored to their specific needs.
This class is NOT for:
- Nonfiction that is not memoir
- “Quiet” memoirists
- Children’s picture books
- Short story collections
- Poetry
- Experimental or hybrid genre works
What you’ll receive
Video recording
Audio recording download
Transcript download
Slides in PDF form
How do I attend the live class?
This class uses Zoom webinar technology. You will join through your Internet-connected computer or mobile device. When you register, you will receive information via email on how to join the class. If you don’t receive it within 1 hour of registering, please contact us.
- When: Wednesday, Sept. 16, 2026
- Time: 1:00–2:30 p.m. Eastern Time / 10:00 a.m.–11:30 a.m. Pacific Time
- Fee: $25 through Sept. 13, 2026 / $35 if you register after Sept. 13, 2026
The webinar is broadcasted via the internet with live audio delivered through your computer or mobile device speakers. The visual presentation is displayed directly from the presenter’s computer to your computer screen. The Q&A is managed through a chat-style submission system with questions read and answered by the presenter for the entire class to hear.
Closed captions are provided during the live class. We use Zoom’s automated closed caption service, which is about 80%+ accurate.
Refund policy
If you attend the live class and/or watch the recording, and it does not meet your expectations, contact us for a full refund, no questions asked.

About the instructor
Jessica Strawser is editor-at-large for Writer’s Digest, where she was longtime editorial director, and a contributing editor at Career Authors. She is the USA Today bestselling author of eight suspenseful book club novels, including Not That I Could Tell (a Book of the Month bestseller), A Million Reasons Why, The Next Thing You Know (a People Magazine Pick), The Last Caretaker, an Amazon Editors’ First Reads selection, Catch You Later, and her latest, The Quitters Club. She has written for The New York Times Modern Love, Publishers Weekly, and others, and is a popular speaker at writing conferences who also offers editorial services to help fellow writers begin the submission process with confidence. She lives with her husband and two children in Cincinnati, where she received a 2024 Individual Excellence Award for her fiction from the Ohio Arts Council. Find her on Facebook and Instagram @jessicastrawserauthor.
I just couldn’t figure out how to write a compelling query and synopsis. Then I found Jessica! Fantastic, erudite editor. Courageous about reorganizing, not just making better word choices in sentences and paragraphs already structured. Within days after submitting, I started getting full asks and felt much more prepared to attend a conference—which led to being offered representation by my dream agent. None of this would have happened without Jessica.
Jenn Bregman
Jessica gave spectacular editorial feedback on my query, synopsis, first pages, and submission strategy. Working with her enabled me to put my best foot forward and gave me a confidence in my submission materials that took considerable uncertainty and stress out of the process on my end. Of the 16 queries I sent, I had 9 requests for full manuscripts and 4 offers of representation. Ultimately, I signed with a dream agent who’d represented one of the comps Jessica suggested.
Matthew Bucknor
I can’t recommend Jessica Strawser’s services enough. She helped me with my query letter and synopsis, through which I received multiple offers of representation. She is not only an extraordinarily sharp and thoughtful editor but also lovely to work with, trustworthy, and reliable. Now, whenever one of my students is about to embark on the challenging process of finding an agent, I send them straight to Jessica to review their submission material. Five stars all around.
Heather Aimee O’Neil
All students receive the following
- Access to the live class (90 minutes). The instructor will take questions during class using in-class chat/text. The class will end after roughly 90 minutes.
- A recording of the class—audio and video. This is especially helpful if you have a conflict with the class time or something comes up and you can’t make the session. Each registration comes with access to the archived version of the program and the materials for 30 days. You do not have to attend the live event to access the recordings.
- Presentation slides. All participants receive a copy of the slide presentations in PDF form.
- Rough transcript. We offer a lightly edited transcript of each webinar, which we’ll share with you in addition to the audio and video recording.
Event Attendance & Anti-Harassment Policy
We strive to provide an environment where all present—whether attendee or presenter—can feel supported. In order to ensure a welcoming event, here is what we expect from all who participate.
- That the presenter and the presenter’s work be treated with respect by attendees and that all attendees treat each other with respect and a generosity of spirit.
- That attendees will refrain from harassment of any sort including (but not limited to) comments or questions of a racist, homophobic, sexist/sexual, or threatening nature. This includes actions that disrupt or interfere with anyone’s ability to participate. Offenders will be asked to leave the live event and will not be refunded.