The Dirty Secret Behind Writing Advice

Cathaoir Synge

Synge's Chair (where Irish writer Synge would retreat & write, on Inis Meain)

I’ll start by saying that I have always advised writers in good faith. I would never suggest a writer undertake something harmful, obstructive, or a waste of time.

But lately I’ve started idly imagining how my favorite author, Alain de Botton, would react if he read advice on my professional blog. (Go follow Alain de Botton on Twitter.)

de Botton writes insightful books about big topics: love, work, travel, architecture, status. He expresses all the things that you’ve felt to be true but could never put into words.

When I imagined him reading my blog, I felt the criticism sharp and quick. Prescriptive, step-by-step advice delivers cheap comfort—that you can reach success systematically—and promotes Panglossian dreams. Such advice, especially when simplified, bulleted, and listed, pushes aside the complexity, difficulty and dilemma of what it means to undertake a writing life.

On the other hand, having read more annals of writing advice than anyone else on the planet, I’m intimate with all the repeated, universal mistakes and destructive attitudes. If you, too, internalized all the (sometimes conflicting) advice from Writer’s Digest, you would be a better writer for it, if only because you’d sooner recognize and maybe avoid the downfalls of every writer.

But the writing itself never gets any easier no matter how much you know or publish. The dilemmas never go away.

There are some technical things every writer should learn to do correctly. Formatting and submitting your manuscript is one thing. Queries might be another. There are lots of bad queries out there, but somehow the talented writers manage to break all the rules and charm agents anyway. That’s what a very talented writer does. But I can’t say that when I’m teaching how to write a great query. I can’t teach the exceptions or pleasing eccentricities (or what can boil down to a matter of confidence or nuance). I teach the rules, even though there aren’t any.

The Writing Advice Book That Would Never Sell
The book I really want to write would encompass the following dilemmas and contradictions:

• Talent vs. Practice (or Discipline). Some people are born to be writers. Others seem to be blessed with the discipline to get better. Can you succeed without any talent? Which quality is more important? And how do you know if you have any talent to begin with? Certainly those with talent need to practice, too—or not?

• Luck vs. Persistence. I’ve seen so many lucky writers—people who were at the right place at the right time. Yet the cliche is that luck favors the prepared. That feels true, though I’ve met a lot of prepared people who never seem to catch a break.

• Confidence/Ego vs. Doubt. I’ve never met a writer who didn’t have self-doubt, though not all will admit to it. We’re always waiting to be revealed as complete phonies. Yet without some measure of outrageous ego—a belief that you have something to say to the world—there’s no way you could justify writing. Writing is not for the weak. The weak ones give up easily, sometimes with the first rejection.

• Professionalism vs. Eccentricity. The writers who are business-savvy and have a flair for marketing & promotion almost always do well. Yet the writers we tend to fall in love with, and the ones we remember, can be the craziest, the most rude, or the most outrageous. Strong personalities sell, too.

• Extroversion vs. Introversion. Extroverts network better and find more people to help them. Introverts are naturally suited to writing and often notice all those wonderful details that extroverts miss. Horrible stereotyping here, but still.

No one really wants to read a heady book on these issues. People want the secrets to success and a positive spin. But the longer I’m in the business, the more slippery it all looks. I know what works for some, but it never works for all. Sometimes I wish I could sit down with each writer personally, and put together a specific plan of attack based on that writer’s talents and strengths.

But you know what? When I do that for some people, they ignore the advice anyway and do their own thing. Our innate (and learned) tendencies, inclinations, habits, and attitudes reign supreme.

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  • http://www.UltimateCheapskate.com/ jeff yeager

    Jane – Honestly, this is the first truly insightful thing I've read about writing in quite some time. You should write that book. I'd buy it … and you know that's saying something.
    -Jeff Yeager, AKA The Ultimate Cheapskate

  • http://www.janefriedman.com Jane Friedman

    Thanks so much for the note, Jeff. Your compliment means a lot. Maybe I'll self-publish my unsalable book! :)

  • http://www.MyFictionWritingTips.com/ Lynne Spreen

    I'm sensing existentialist leanings here. (You live alone, you die alone, and a lot of times, in the middle, you just have to go it alone.) I especially liked your observ. about sitting down with one writer and him/her ignoring your guidance anyway. I used to see that in my old job as personnel director (HR). Now I see it when I offer gentle suggestions in critique group. People ultimately have to find their own way. You can't get distracted from your OWN mission while trying to help.

  • http://www.hallieephron.com/ Hallie Ephron

    I want to buy that book when you write it. SO interesting, every question you pose…but the only one you don't give a clue to which way you lean is the first one. Can a writer succeed without talent? And how can you tell (if that someone has no talent)?

  • http://success.articleberry.com/the-secret-of-confidence The Secret of Confidence

    [...] [...]

  • http://twitter.com/Maggie_Editor Canonbridge

    Perhaps you could approach a publisher who doesn't take submissions from agents and doesn't have a slush pile. We would publish it in a heartbeat, and I know it would be well-received.

    To Hallie Ephron below: Yes, writers can succeed without talent. James Rollins is a prime example. I'm halfway through The Judas Strain. I cannot imagine where his editor or his two agents were hiding when that one went to press. It is an interesting plot that required a great deal of research, only to become complete cack through overdoses of passive voice and sentence fragments.

  • melodyjones

    Thanks for this! I love the statements that the dilemmas never go away and that everyone has self-doubt. They provide a certain comfort for me as a writer just now coming into her own, perhaps dulling that ever-present self doubt just a bit.

  • christygail

    I loved this piece Jane! I feel better knowing that some of the oddities that I have noticed in the industry aren't just in my imagination. I agree with pp- I would read that book!

  • http://janridernewman.blogspot.com/ Jan Rider Newman

    I nodded after every sentence. You've expressed things I long felt but never heard anyone else say out loud.

  • http://stroppyauthor.blogspot.com/ Stroppy author

    It's true – there is a good deal of luck involved, but you need to recognise the opportunities and grasp them. And you need talent. And – this is one people often come up with – it is useful to have contacts. I have contacts. But I have earned them through publishing books people like. So now I can break all the rules and still get published – but you can't fast forward to that position. We've all done the work along the way. And whether you are introvert or extrovert, whether you abide by rules or break them, whether or not you are eccentric – it doesn't really matte as long as you WRITE REALLY WELL.

  • eeleenlee

    Everything in its place: you may be talented but you maybe lazy at the same time, you may have connections but fail to use them, you may have no connections

    People who do their own thing can create their opportunities they seek

  • http://www.margokelly.net/ Margo Kelly

    Thank you. I found comfort in your words.

  • http://www.frontroweseat.com/ Karen Rowe

    Jane, have you had a chance to read Malcolm Gladwell’s essay, “Late Bloomers?”
    It talks specifically about Talent vs. Practice. A fascinating look at genius vs. creativity.

    http://www.gladwell.com/2008/2008_10_20_a_lateb...

  • http://www.janefriedman.com Jane Friedman

    Yes, I think existentialism was my favorite course in college. A few Sartre books still on my shelves. :-)

    Love your comment about working as a personnel director. That sounds exactly right.

  • http://www.janefriedman.com Jane Friedman

    Really appreciate the comment & encouragement – thank you!

  • http://www.janefriedman.com Jane Friedman

    Your comment makes me miss you, Hallie! I hope our paths cross soon. Maybe BEA?

  • http://www.janefriedman.com Jane Friedman

    So glad to hear that! Yes, self-doubt for all, both a blessing and a curse. (We need a little to keep us revising & striving, but not so much we're self-rejecting.)

  • http://www.janefriedman.com Jane Friedman

    Thanks for saying so! If anything, I'm always available to help confirm the oddities that surround everything publishing-related! :)

  • http://www.janefriedman.com Jane Friedman

    The Conductor once mentioned that I can be disarmingly candid. Others say too honest. Depends on POV! :)

  • http://www.janefriedman.com Jane Friedman

    Very wise advice! Thank you for sharing.

    I often watch successful authors tell inspiring stories to the crowds (usually about breaking the rules), but new writers rarely understand they haven't reached that point in their journey.

  • http://www.janefriedman.com Jane Friedman

    I think this is similar to what my colleague Christina Katz says: You create your own success.

  • http://www.janefriedman.com Jane Friedman

    My thanks for stopping by and leaving a note!

  • http://www.janefriedman.com Jane Friedman

    Oh, yes! I DO recall reading that in the New Yorker, but it's been a long time, two years I suppose. I need to revisit it.

    Gladwell's new book, OUTLIERS, suggests you need to spend 10,000 hours doing something to be successful at it. Fascinating stuff.

  • cherley

    I'm wondering if I have my 10000 hours in. I feel like it.

  • cherylbush

    I think there's nothing abhorrent about having a Panglossian worldview–sometimes, that is the only thing that keeps me from going out of my mind, depressed about the world. Optimism is how any published writer got published–she maintained an optimistic outlook, even after 55,000 rejections.
    My (tragically innate) Panglossian dreams kept me going throughout the home-buying process, the writing-a-book process, the my-son-is-sick-please-hospital-fix-him process, a divorce, and now it's helping me overcome the I-don't-have-a-job-and-I-might-lose-my-house panic.
    In my opinion, Panglossian dreams + practical advice = life without crippling fear. ;-)

    Thanks for listening!

  • http://www.janefriedman.com Jane Friedman

    Tom Bissell wrote an article years ago for THE BELIEVER about the writing advice genre, and singled out Writer's Digest as “the most sinister malefactor of Panglossian expectations in the literary world today.”

    Rather than be offended by it, I blew up the quote and have had it posted on my wall ever since. It's something I find important to remember — that writers need and deserve encouragement and support to keep pushing ahead.

  • http://twitter.com/cswriter59 Cynthia Schuerr

    I would love a book with all of this real and honest information. With something as important to me as my writing, I don't want to be sweet talked or spinned. I want honesty, so I can proceed with true advice that is going to move me along in my writing career, not hold me back.
    Please, write that book:-)

  • http://twitter.com/jammer0501 James Killick

    Wonderfully perceptive post – I too digest a huge amount of books on writing, my hope is, as you suggest, that I'll subsume all the lessons learned by other writers, until eventually I'll be fluent enough to be free of them and start to push my own boundaries, but there is a sneaking fear that I'm losing my own unique voice amongst it all – still, I'm starting to find myself being very critical/sceptical of some writing books – so hopefully not.

    I think you draw the lines between talent/learning wonderfully well – I think it's seductive to believe that “you can reach success systematically”, particularly if you're keen to get published – it's a very tough line to walk, that between your own talent/dreams and voice, and the concerns of the industry and readers – you have to indulge yourself to a certain extent to find truth and uniqueness, but you also have to have a wary eye on the realities of the business. I've yet to find a book that tells you how to do that, but this post comes close.

  • http://www.embracetheimpossible.blogspot.com/ Jevon Bolden

    This is so good, Jane! I see these contradictions on a regular basis dealing with authors and potential authors who submit their work to us. It's really hard to communicate these contradictions to an aspiring author or writer without feeling like you're crushing their hopes. But it is what it is. I mostly just tell them not to give up and to be flexible with their expectations. Thank you for putting this into words.

  • cherylbush

    Wow. He broke out the dictionary of $10 words to disparage Writer's Digest, which is a little sad.
    I subscribe to Writer's Digest, and I love it. I have found it to be helpful without over-inflating my expectations. Anyone with a lick of sense understands that getting published is hard. Figuring out how to write well is hard. Not everyone can be a great writer, but many can be very good writers. They deserve to be able to find inspiration and encouragement.

  • http://www.janefriedman.com Jane Friedman

    You're in luck — if I have one book in me, so far it's this one. :) Now, the old cliche of finding the time …

  • http://www.janefriedman.com Jane Friedman

    Great insight! I was reminded recently of sage advice from a writing professor at my alma mater (University of Evansville): You have to find the heartbeat in your writing. I think some people give up — or don't succeed — because they're trying to write something they THINK they ought to write, which can be deadly.

  • http://www.sarahaiglen.com/ Sarah Aiglen

    Maybe it's just me, but I'd welcome a book like the one you are proposing – one that serves up your thoughtful observations straight. It would be – I think the right word is – “bracing.” You are right, however – I fear the market might be small. “Pump me up” books about this difficult profession are probably the preferred variety.

  • Daniel Lynch

    I would love a book about the deeper issues and aspects of the writing life. (But I'm not saying there's an untapped market.)

    I loved everything here but the defeatest note at the end. The thing about giving advice is that you don't often get to see it take affect (or if it does). It may be years before the person on the other end can see how a piece of wisdom applies to their particular work. All you can do is make the offering in good faith. I guess giving advice can be a lot like casting stones in an invisible pond. But If you are lucky, in some instances you will be remembered and thanked and the pond will be (momentarily) visible.

    As a person who reads a ton of books on writing, I am always looking for some (ellusive) key that is going to make the process easier and ways to improve my craft. And I pick up bits and pieces here and there. But every so often something happens in the work and a light goes on and some advice I got years ago suddenly makes new sense. More rare still is that I recall the source. Sorry.

    Thank you,
    Danny

  • http://www.janefriedman.com Jane Friedman

    Thanks, Sarah! I fear the market is small as well! It makes sense – outside of my field, I tend to look for easy, positive solutions rather than more conundrums!

  • http://www.janefriedman.com Jane Friedman

    Daniel, thanks so much for your very thoughtful comment. You're absolutely right. And I know that's why I continue to do what I do without being discouraged; I assume there must be lights and ripples that I can't see and feel.

  • David_N_Wilson

    The truth as it has always seemed to me is that, in the end, you can write, or you can't. Those who can write read writing advice, trim out things that they recognize, or that they see something in that they can use to better their style or their craft. Those who can't write, even those who make it to some level of competency, but never beyond that, read writing advice looking for some holy grail that – if it exists – exists within the writer…

    I'd read that book, of course…though I suspect I'd find too much of myself in the pages.

    -David

  • http://www.janefriedman.com Jane Friedman

    Thanks so much for the comment, David. I sense the truth of what you're saying.

    When I meet writers who are very early in their development, sometimes it is impossible for me to say which side of the fence they fall on.

    And to make matters worse, I always get the question: “So, should I keep on doing this?” Or, that is: “Tell me I'm wasting my time or tell me I have real talent.”

    Sometimes I can definitively say when someone has talent.

    It's a much tougher thing to look someone in the eye and say they do not. Who am I to really say?

  • David_N_Wilson

    Oh, absolutely. I have a good friend who proves that early development comment … he seemed interested only in very juvenile writing and wasn't showing much progress. Still, I worked with him (as did my wife). He began to edit an online magazine, and I have to say…about four years later I read one of his stories and it was a different person. He is extremely creative and talented…just needed to grow up.

    Over time, what I find to be the biggest problem is that an over-abundance of too-positive feedback gives a false sense of having “arrived” and people quit trying to develop, or seeing their flaws. After twenty something years, awards, all kinds of publications, I still find things that REALLY need work every time I write…it's part of the intrigue, I guess.

    I'm not saying all writing advice is pointless in the face of either having, or not having talent, only that there is a point after which one must pick up the reins and say “Giddy-up” …

    I guess Yoda would say, “Write, or Write not…”

    David

  • http://www.janefriedman.com Jane Friedman

    David – Really appreciate you adding a little more! You are so right.

    I often like to think about how you *never* read about writer-savants — inexperienced people who magically craft something compelling and heart-stoppingly good at a stunning young age or without experience.

    The writing I most enjoy comes from some odd combination of oversensitivity, wisdom (or perhaps insight into the human condition, which requires a level of maturity), empathy, and alertness/awareness. Alain de Botton speaks of these things so well in his books — and randomly on Twitter.

  • jeannevb

    Fantastic post, Jane. Like many others, I would absolutely love a book that was real, raw and honest. Here's something else you should add: a fiction writer should be required to go to therapy. I swear by it. If one can't discover (and face) their own flaws, wounds, insecurities and explore the path to overcoming them (which usually involves facing deep-rooted fears), they will never be able to do the same for their characters. If the writer won't grow, the character can't grow. Period. Yes, I've been in therapy for years… hence, character development is my favorite part of writing.

    Let me know when your book comes out. I'll be cracking that pimp whip on you to make it happen, girl! Wonder Jane can do anything ;)

  • http://www.janefriedman.com Jane Friedman

    :) Love your comment, Jeanne. I think I just passed the first hurdle for your fiction writer qualifications this past week. What excellent timing on my part!

  • jeannevb

    woohoo! Twitter counts as therapy too :)

  • http://deepmiddle.blogspot.com/ Benjamin

    Jane, I can confirm all your points for the book you'd like to write but can't. All are so freaking true! You need equal parts talent and persistance, yet you also need luck, but for that luck you must be prepared, but introverted people (like me) won't make their own luck because they aren't extroverted, yet those introverts are confident and eccentric. whew.

  • http://www.janefriedman.com Jane Friedman

    Indeed! We have a rule at Writer’s Digest for book titles and cover lines: always frame things positively.

  • http://twitter.com/noteon Keith Snyder

    I got here from your comment on Richard Bausch's Atlantic article.

    Nice.

  • http://www.janefriedman.com Jane Friedman

    Thanks for making the trip over!

  • http://www.janefriedman.com Jane Friedman

    Appreciate your comment — and I love your status updates on Facebook about your project.

  • http://www.janefriedman.com Jane Friedman

    Very true. Once someone dubbed me the Dream Crusher. I learned to be a little more sensitive after that.

  • http://principlesoffailure.blogspot.com/ SHerdegen

    You had me at Alain de Botton.

    I'm glad I kept reading. Some good advice but better yet, good to know that professional writers and people in the publishing industry have the same uncertainties I do.

    I've always felt there must be more there that people aren't sharing. They're giving me the blow-off answer and keeping the real good stuff in the back. I finally have the feeling I've gotten all there is to get.

    Thanks for a peek behind the curtain.

  • http://www.janefriedman.com Jane Friedman

    Fabulous! Another Alain de Botton fan! :)

    One thing I can say of the book publishing professionals I know: Many are eager to share what they know with writers or newcomers. I sense that is not true across industries, but book publishing feels quite collegial, at least since I joined up in 1998!

  • http://writerunboxed.com/2010/05/28/the-only-way-to-know-if-youll-be-a-successful-writer/ Writer Unboxed » Blog Archive » The Only Way to Know If You’ll Be a Successful Writer

    [...] But all writers carry significant paradox and conflict inside them (which I commented on, at length, here). [...]

  • http://www.piotrm.com Piotr

    This has been the best words of wisdom I've read in a very long time, and one I am happy to have stumbled across. I'm a writer. Well, I consider myself a 'writer' because I have a story in my head that has made me incredible anal retentive in endeavouring to write the thing. Reading what you wrote has only made me want to finish that project and start another.

  • Bob Iozzia

    Good morning, Jane.

    I'm having no luck finding information regarding manuscript formatting a collection of humor essays/short pieces.

    Can you suggest a source?

    Thanks,
    Bob iozzia

  • http://www.janefriedman.com Jane Friedman

    Couldn't have hoped for a better impact! Thanks so much for the comment.

  • http://www.janefriedman.com Jane Friedman

    Sure, you should check out FORMATTING & SUBMITTING YOUR MANUSCRIPT, 3rd edition. Available here, direct from publisher: http://www.writersdigestshop.com/product/format...

  • Bob Iozzia

    Thanks very much.

    It amazes me how you are able to squeeze 37 hours of work into one day.

    Bob

  • jcorn1

    I'd definitely buy a book if you wrote it with such honesty. I don't know how you feel about Stephen King but have you read his book,” On Writing”? I'm not especially drawn to his horror books but I do like his nonfiction. His advice is often blunt and i remember (and probably saved, somewhere) a piece he wrote for Writer's (Writers'?) Digest. It was definitely what some writers might consider harsh.

    I have confidence in my writing but also believe that even those blessed with some talent need to improve. An experienced, insightful and competent editor can see what I can't. Yet I have plenty of online clients who need me to improve THEIR writing and pay me for my efforts.

    Luck versus persistence? Both are important and it depends on what you think is success. Stephen King supposedly had his first book published because his wife fished it out of the trash and submitted it. Maybe many consider him an untalented writer but he became a successful – or, at least- rich writer.

    Your questions in your post? I take them very seriously. Yes, writers can succeed without talent and I'd argue that books like Love Story, once a bestseller, prove that.

    Sorry for the long post. I felt your questions deserved a response. I'm jcorn1 on Twitter but I can't seem to get the “Post as” form to accept me under my Twitter name.

  • http://www.janefriedman.com Jane Friedman

    Very familiar with King's book — definitely one of the greatest writing advice books in existence. (Also a big fan of Gardner.)

  • http://www.leighdansey.com Leigh

    It never gets easier? There goes that illusion!

  • David Hunter

    You book idea isn't unsaleable, it's honest. I'd buy a copy in a heart beat, if not faster. Thanks for posting this, Jane.

  • http://www.janefriedman.com Jane Friedman

    ;) Welcome to the land of disillusionment.

  • http://www.janefriedman.com Jane Friedman

    Thanks, David. Appreciate the note.

  • Beckylevine

    Jane, I love this post. And, really, I might read some of those books!

    Maybe the books and the blogs (I hope) are doors that open the way for people to ask questions, join the discussion, and start hearing topics like this post that let them think and filter and apply specifics to how THEY write, how it will work for them. I know that when I give a workshop, I get questions about critique groups & critiquing that I have answered in a fairaly straightforward manner in my book, but that I can give a more full, complex answer to at the moment, to that person asking me and the others listening. If it weren't for the book, I wouldn't be doing the workshop, the person wouldn't have a chance to ask, and I wouldn't have a chance to expand.

    The bottom line for all of us, I think–maybe even the geniuses–is do the work. Well, all these tools and advice at least give us starting ideas of what that work is!

  • Jordan Rosenfeld

    I'd read it!!

  • http://seedlingsinstone.blogspot.com Llbarkat

    Thanks for stopping by Seedlings in Stone. Botton! I loved The Pleasures and Sorrows of Work. I want to do it sometime for our site book club (HighCallingBlogs). We'll see. In any case, it's not your average writer who can make you swoon over… a factory operation. :)

  • http://www.janefriedman.com Jane Friedman

    Totally know what you mean about questions in a workshop setting that allow for a more complex answer. One of the best parts about teaching writing! You can get across more of the nuance and complexity.

  • http://www.janefriedman.com Jane Friedman

    Thanks, Jordan! :)

  • http://www.janefriedman.com Jane Friedman

    Of all Botton's books, I have to say that his book on Work disappointed more than delighted. But of course a disappointing book by him is a stellar work by others.

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