Nielsen offers specific figures on how ebook sales have affected print sales in adult fiction, adult nonfiction, and juvenile categories.
Amazon says that Kindle Select participation is healthy, and that the Kindle Unlimited ebook subscription service is leading to more reading and sales.
Nielsen offers fascinating insights into how the children’s market is driving growth in the overall publishing industry.
Today’s guest post is by Hellen Barbara (@hbarbara27), president of Pubslush. Recently, Amazon joined the e-book subscription playing field alongside Oyster and Scribd to offer subscribers unlimited access to more than 700,000 e-books and 2,000 audiobooks for the monthly price of $9.99. This service is called Kindle Unlimited. When a player as big as Amazon enters […]
In January, I’m moderating a panel at the Digital Book World Conference + Expo, which focuses on information and ideas about the digital publishing landscape. In advance, I’ve answered five questions about digital publishing to help attendees make the most out of the three-day event, and lay the groundwork for conversations that will take place at the conference and […]
Note from Jane: Today’s guest post is by Sangeeta Mehta (@sangeeta_editor), a former acquiring editor of children’s books at Little, Brown and Simon & Schuster, who runs her own editorial services company. With all the changes taking place in the publishing industry, it seems harder than ever for even the best writers to secure a […]
Note from Jane: Today’s guest post is adapted from The Writer’s Advantage: A Toolkit for Mastering Your Genre by Laurie Scheer (@mediagoddess213). So you think your idea for a new vampire novel is a good one? Think again. Nine times out of ten, your idea is really quite mediocre and has been done before, actually a […]
Note from Jane: Today’s guest post is by Beate Boeker (@BeateBoeker), whom I met at the International Women’s Fiction Festival in Matera, Italy. It was the first writers conference I attended that offered any kind of in-depth information (geared toward authors) about the international and translation market. Find out more about Beate and her novels at […]
This week I’m speaking at the International Women’s Fiction Festival in Matera, Italy, which is slanted this year toward digital publishing and the future of authorship, particularly indie models. On Friday morning, Bella Andre gave a talk on her path to success, from a traditionally published author with 7 titles in 2010, to self-published phenom with […]
In the most recent issue of Writer’s Digest magazine, you’ll find my feature article, “The Evolving Agent.” I discuss how literary agents’ business models and services are changing to fit the needs of their clients, who are increasingly self-publishing or choosing hybrid paths. The article covers: the value of agent-assisted self-publishing what happens when agents use […]
Today’s guest post is excerpted from Perfect Bound: How to Navigate the Book Publishing Process Like a Pro by Katherine Pickett (@KPickett_Editor). What Is a Developmental Editor? Developmental editors (DEs) are concerned with the structure and content of your book. If your manuscript lacks focus, your DE will help you find the right direction—the “right” […]
Today’s guest post is by New York Times bestseller Eileen Goudge (@eileengoudge), whose newest novel, Bones and Roses, releases today. I read Claire Cook’s recent blog post with great interest and a jolt of recognition. OMG. She was telling my story! I wasn’t alone. There were other authors like me who were traditionally published in […]
Note from Jane: Today I’m beyond honored to feature bestselling author Claire Cook (@ClaireCookwrite), who has just released Never Too Late, from which this post is excerpted. Claire has a fascinating story to tell about her decision to leave her agency and traditional publisher, and chase after her publishing dreams. As the ancient Greek philosopher Heraclitus said, […]
This past week, I’ve been a guest at a range of sites. Here’s where you can find my latest musings on the future of publishing and more. Stop Looking for Innovation on the Newsstand In this piece for the Bo Sacks newsletter, I question why we’re using newsstand as a measuring stick for the health […]
I’ve written an analysis of debut novel advances based on gender—and genre—over at the Scratch blog. I was inspired by a Twitter conversation where authors wanted to know if being a man or a woman possibly affected the advance offered by a publisher. I crunched the numbers from deal reports at Publishers Marketplace to see if any trends […]
Yesterday, I gave my keynote on Writing for Love (and Money) at The Muse and The Marketplace annual conference, hosted by Grub Street in Boston. While I think I delivered the exact presentation I intended (success!) and sparked some healthy debate afterward, a few questions from the audience indicated that I hadn’t necessarily changed hearts […]
The backlash against Literary Citizenship is underway, and perhaps it was inevitable. For those unaware of term, it’s widely used in the literary, bookish community to refer to activities that support and further reading, writing, and publishing, and the growth of your professional network. In some ways, it’s a more palatable (or friendly) way to […]
For my upcoming keynote talk at The Muse & The Marketplace, I’ve been immersing myself in histories of publishing and the evolution of authorship. While I’m quite well-read on what the future holds (see a separate reading list here), and often speak on the current digital-era disruption, I’ve always wanted a more cohesive understanding of […]
One of my favorite social media activities is collecting charts and visual data related to book publishing and other media, which come in handy for speaking at conferences and providing insight into how the industry is changing. I use Pinterest to save them; view or follow the board here. Here are 5 of my favorite charts […]
My new magazine for writers, Scratch, recently launched as a website and iOS app, and has its first issue available on the Apple newsstand. Scratch focuses on the business side of publishing and seeks to have an open dialogue about money and writing. While it costs $20/year to subscribe, we make some of the content […]