The stand-alone query letter has one purpose, and one purpose only: To seduce the agent or editor into reading or requesting your work. The query is so much of a sales piece that you should be able to write it without having written a single word of the manuscript. For some writers, it represents a [...]
Micro-published books are short, tight, and swift. A meaningful discussion of micro-publishing has been pushed aside during the ongoing tug-of-war between traditional publishing and independent publishing (self-publishing). But we are well beyond “everyone is a writer” at this point. We have progressed into “everyone is a publisher,” if they wish to be—and we have been living in this realm for some time already. Fortunately, micro-publishing benefits the industry as a whole by bringing some much-needed simplicity and directness into a publishing equation that is often weighted down by its own complexity and contracts. And it also benefits you, the writer.
This infographic breaks down the key 5 publishing paths, their value to authors, the potential pitfalls, and examples of each.
Learn how self-published novelist Ransom Stephens landed a two-book deal with Amazon—without even querying.
Some writers think a small press is something you have to make the best of. Yet small presses can often serve as a first—even best—option. Three case studies show why.
Editors can tell within a couple pages if a manuscript will be acceptable to them. How? What makes this decision so clear to an editor and so muddy to an author?
Today’s guest post is by writer and editor Jennifer Niesslein (@jniesslein), who is based in Charlottesville, Virginia. I’m experiencing karma. For more than a decade, I co-edited a literary magazine—I was the person who wouldn’t respond regarding your writing for three months, sometimes longer. And now, for the past nine months, I’ve been writing. It [...]