In the most recent issue of Writer’s Digest magazine, you’ll find my feature article, “The Evolving Agent.” I discuss how literary agents’ business models and services are changing to fit the needs of their clients, who are increasingly self-publishing or choosing hybrid paths. The article covers: the value of agent-assisted self-publishing what happens when agents use […]
Writing a nonfiction book proposal—a good one—requires not only sharp clarity about your idea, but also how that idea, in book form, is relevant and unique in today’s market. Some authors have a very deep knowledge of the community surrounding their topic, and understand the needs of their audience. Others do not. Either way, you’ll […]
Today’s guest post is by author Leslie Wells. I’ve been on both sides of the publishing desk—as an acquiring executive editor for several decades, and as an author. The experience has provided insights that I wouldn’t have had otherwise, and made me more sympathetic to the nerve-wracking process of trying to get your book published. […]
Today’s guest post is by Carmen Amato (@CarmenConnects), author of The Hidden Light of Mexico City and the Emilia Cruz series. You have a polished manuscript in hand, and you’re ready to publish. But the road from finished manuscript to bestseller list is more like a labyrinth rather than a straight path. There are dozens of choices and decisions ahead. Here are […]
The following post has been excerpted and adapted from The Author Training Manual by Nina Amir, recently released by Writer’s Digest Books. If you’re embarking on a nonfiction book project, your analysis of the competitive landscape is critical, whether you self-publish or traditionally publish. You need to understand and be able to explain how your […]
The stand-alone query letter has one purpose, and one purpose only: To seduce the agent or editor into reading or requesting your work. The query is so much of a sales piece that you should be able to write it without having written a single word of the manuscript. For some writers, it represents a […]
Micro-published books are short, tight, and swift. A meaningful discussion of micro-publishing has been pushed aside during the ongoing tug-of-war between traditional publishing and independent publishing (self-publishing). But we are well beyond “everyone is a writer” at this point. We have progressed into “everyone is a publisher,” if they wish to be—and we have been living in this realm for some time already. Fortunately, micro-publishing benefits the industry as a whole by bringing some much-needed simplicity and directness into a publishing equation that is often weighted down by its own complexity and contracts. And it also benefits you, the writer.