Shanna Swendson, author of the Enchanted Inc. series of books, is working what some authors might consider near-magic in a transition from traditional publishing to self-publishing. And she’s getting savvier about it fast.
My latest column at Writer Unboxed tackles serial fiction—and how it’s changing writing, reading, and publishing. Here’s a little snippet: Both serials and fan fiction have been around a long time (since Dickens, remember?). If these forms are being reinvented and rediscovered because mobile- and tablet-based reading is growing, this may mean the strategic author [...]
Much shorter and quicker to go over than the initial report, this edition takes into account information interpreted from approximately 11,000 titles in genre fiction; 900 in literary fiction; 30,000 in non-fiction; and some 10,000 in children’s (not YA) fiction. Hugh Howey has, since the first report, adopted a more frequent use of the term “spider” for the software his still-unnamed associate is deploying.
You may be looking at the best chance ever encountered for authors—of all stripes, Ms. Rowling, as Hugh Howey tells us—to at last come together, to make common cause, and to speak as one with a force this industry has never known.
Table of Contents “To Call for Change Within the Publishing Community” “To Stand Up for Each Other” “A New Era of Openness” “I Didn’t Have a Social Life Before” Join Andre, Freethy, Howey & Lyons in the uPublishU Author Hub at BEA Meet these bestselling charter members of BookExpo America’s all-new center for entrepreneurial authors. [...]
Table of Contents Lit Smart Rebecca Hugh and Cry Combat in the Community If You See Us Running… Lit Follow that burning fuse. It runs between these two curiously different words. We may need to think about which of them is closer to us. Revolution. Pretty comfortable. Thanks to Madison Avenue, we nowadays say “revolution” for [...]
Table of Contents Read It and Tweet No Anti-Social Scientists, Please “A Two-for-One Special” Our “Bifurcating Future” Read It and Tweet A funny thing happened to me on Twitter this week. I “crafted a tweet.” (Sounds so “artisanal” that way, no?) This was the kind of tweet in which I like to mention a new [...]
DBW’s producers at F+W Media may take their mission even more seriously than usual: this DBW takes place in a winter without a Tools of Change (TOC) conference from O’Reilly Media.
Micro-published books are short, tight, and swift. A meaningful discussion of micro-publishing has been pushed aside during the ongoing tug-of-war between traditional publishing and independent publishing (self-publishing). But we are well beyond “everyone is a writer” at this point. We have progressed into “everyone is a publisher,” if they wish to be—and we have been living in this realm for some time already. Fortunately, micro-publishing benefits the industry as a whole by bringing some much-needed simplicity and directness into a publishing equation that is often weighted down by its own complexity and contracts. And it also benefits you, the writer.
Is it possible to successfully publish and sell your e-books—without a platform—as long as you choose the right genre?