A group of literary authors have launched a limited edition box set of novels. How did they make the collaboration work?
You can find marketing inspiration in what others have done, but also know that the less advertised “strategies” might actually be the ones worth pursuing.
Two literary agents offer their thoughts on the self-publishing of children’s books and what the future of the picture book might look like.
Amazon’s Kids’ Book Creator allows the average Joe to create illustrated children’s books for the Kindle and upload them directly to Amazon.
UK author Harry Bingham describes the four stages of his career, and why he’s decided to self-publish after good experiences with traditional houses.
Giving away your work isn’t a problem if you’ve developed a strategy around it, and know how to turn new readers into fans.
Nielsen offers specific figures on how ebook sales have affected print sales in adult fiction, adult nonfiction, and juvenile categories.
Amazon says that Kindle Select participation is healthy, and that the Kindle Unlimited ebook subscription service is leading to more reading and sales.
Nielsen offers fascinating insights into how the children’s market is driving growth in the overall publishing industry.
Word doesn’t export to EPUB, but you can still produce an editable file quickly, without buying software or using a “meatgrinder” conversion.
Today’s guest post is by Hellen Barbara (@hbarbara27), president of Pubslush. Recently, Amazon joined the e-book subscription playing field alongside Oyster and Scribd to offer subscribers unlimited access to more than 700,000 e-books and 2,000 audiobooks for the monthly price of $9.99. This service is called Kindle Unlimited. When a player as big as Amazon enters […]
Note from Jane: Today’s guest post is by Beate Boeker (@BeateBoeker), whom I met at the International Women’s Fiction Festival in Matera, Italy. It was the first writers conference I attended that offered any kind of in-depth information (geared toward authors) about the international and translation market. Find out more about Beate and her novels at […]
Welcome to the weekly The Smart Set, where I curate new smart reads about the publishing and media industry. I also point to issues and questions raised, and welcome you to respond or ask your own questions in the comments. “To seek: to embrace the questions, be wary of answers.” —Terry Tempest Williams When an Author Should Self-Publish and How That […]
Welcome to The Smart Set, a weekly series where I curate a selection of articles from the past week related to the publishing/media industry that merit your attention. I also point to what I see as the most interesting underlying questions, and welcome you to respond or ask your own questions in the comments. “To seek: to embrace the questions, be […]
One of my favorite social media activities is collecting charts and visual data related to book publishing and other media, which come in handy for speaking at conferences and providing insight into how the industry is changing. I use Pinterest to save them; view or follow the board here. Here are 5 of my favorite charts […]
My latest column at Writer Unboxed tackles serial fiction—and how it’s changing writing, reading, and publishing. Here’s a little snippet: Both serials and fan fiction have been around a long time (since Dickens, remember?). If these forms are being reinvented and rediscovered because mobile- and tablet-based reading is growing, this may mean the strategic author […]
So you want to find those raving fans, right? Awesome. We’re about to give you the most boring advice possible. You’re probably going to be disappointed that we’re not going to offer you a magic way to get a ton more readers, but unfortunately that’s not how it works. Ideal fans and readers are gained a few at a time, and it takes time to build that bond, even if you experience a sudden and serendipitous burst of exposure.
This infographic breaks down the key 5 publishing paths, their value to authors, the potential pitfalls, and examples of each.
PubSmart 2014 may be creating something we’ve needed to see much more of: a conference in which not only business-conscious authors but also smaller publishing companies can start doing the logical networking they’ve needed: with each other.
As a hand-wringer here, I’m one of the “but not all” skeptics Coker mentions, unpersuaded, and how good that he’s careful to note that we’re not all mollified. For me it’s not the compensation issue, actually. I’m more concerned about how literature of all genres (don’t get sidetracked here, I mean all books) fare on the buffet.