You can find marketing inspiration in what others have done, but also know that the less advertised “strategies” might actually be the ones worth pursuing.
Two literary agents offer their thoughts on the self-publishing of children’s books and what the future of the picture book might look like.
Amazon’s Kids’ Book Creator allows the average Joe to create illustrated children’s books for the Kindle and upload them directly to Amazon.
This is an introductory guide to the major self-publishing options available to authors today, and how to choose the right service for you.
UK author Harry Bingham describes the four stages of his career, and why he’s decided to self-publish after good experiences with traditional houses.
If you don’t like the terms offered by Amazon’s ACX for selling your audiobook, you do have an alternative. Author Lee Stephen explains the path he took.
Micro-published books are short, tight, and swift. A meaningful discussion of micro-publishing has been pushed aside during the ongoing tug-of-war between traditional publishing and independent publishing (self-publishing). But we are well beyond “everyone is a writer” at this point. We have progressed into “everyone is a publisher,” if they wish to be—and we have been living in this realm for some time already. Fortunately, micro-publishing benefits the industry as a whole by bringing some much-needed simplicity and directness into a publishing equation that is often weighted down by its own complexity and contracts. And it also benefits you, the writer.
Is it possible to successfully publish and sell your e-books—without a platform—as long as you choose the right genre?
Is it possible that all the changes happening in publishing can be encapsulated by a conversation about self-publishing?
Bestselling author Michael J. Sullivan proposes that publishers give authors permission to send free ebooks to readers who have purchased print editions.
In Writing on the Ether, Porter Anderson looks at the revelation of J.K. Rowling’s pseudonym for The Cuckoo’s Calling and implications for publishing.
This infographic breaks down the key 5 publishing paths, their value to authors, the potential pitfalls, and examples of each.
Updated in February 2015 About the only thing that remains constant in e-book publishing is that it changes—everything from the services to marketing strategies. Here, I’ve attempted to round-up all the good resources I know of related to (1) how to publish an e-book, (2) finding the right e-publishing services, and (3) staying on top […]
Today’s guest post is by Judy L. Mandel, author of the Replacement Child, forthcoming from Seal Press in March 2013. I asked her to tell the story of self-publishing her memoir, which ultimately led to a traditional book deal from Seal. Most authors don’t give any credence to luck, but they lie. Luck has so […]
Last month, I gave a 15-minute presentation in Berlin, Germany, called The Future of the Author-Publisher Relationship, as part of an innovative publishing think-tank event called LitFlow. To accompany my talk, I wrote a 2,500-word article. In a nutshell, I suggest that—given the changes happening in the industry—traditional publishers will need to be more author-focused […]
Yesterday, news broke that Pearson (parent company of Penguin) had acquired Author Solutions for $116 million. Read the basics here. Just to make sure we’re all up to speed: Pearson is one of the Big Six publishers. Author Solutions (ASI) is the world’s leading provider of self-publishing services, primarily dealing in print-on-demand (POD) publishing and […]
This weekend, I’ll be speaking at the Writer’s Digest Conference about e-publishing. I’m in the process of updating my slides and information about e-book sales—which can be a confusing and murky issue since the reporting of such sales is not as standardized as print book sales (yet). Meaning: You can not only find various data […]
Today’s guest post is by Scott Vankirk (@mightyscoo). As much as we (aspiring authors) tend to get joy and satisfaction vilifying The System, the problem is not really the publishing houses nor the agents that feed them, nor their unhelpful rejection letters. The problem is the sheer number of us. Just about everyone has something […]