Stephen King by Oscar Oliva OA / DeviantArt

Stephen King Still Fears Failure. How About You?

Today’s guest post is by freelancer and author Marcy McKay. The November 2014 issue of Rolling Stone interviews the master of contemporary fiction, Stephen King. The Q&A covers a myriad of interesting topics for writers: the author’s typical working day, his literary legacy, as well as how alcohol and drugs affected his writing back in the […]

John Thornton Williams

How to Reveal Character Emotion Without Venturing Into Cliché

One of the most important goals of any fiction writer is getting the reader to connect on an emotional level with the story’s characters. But how do you accomplish this without being clumsy—without saying, directly, “Joe felt so upset he wanted to die,” which takes you right into the heart of cliché? John Thorton Williams […]

Elizabeth Kadetsky

The Benefits of Procrastination & Distraction

Every month, Glimmer Train releases a bulletin that includes a few brief essays by writers on the writing life. For October, I was happy to find the themes of procrastination and distraction—and how they can be a positive influence in our work lives. Elizabeth Katdetsky discusses how she gives in to the procrastinator in herself, and how […]

Amina Gautier

How Revising Rewards Mistakes

One writing and publishing adage I’ve always believed in: “Writing is rewriting.” Fiction writer Amina Gautier’s approach is similar. For her, revising is the best part. Over at the latest Glimmer Train bulletin, she offers tips on unlocking the joy of revision. She says: Revising encourages and liberates the writer to “make mistakes.” It rewards mistakes; each […]

Josh Weil

Sow Your Characters’ Emotions in Early

In a thought-provoking post over at Glimmer Train, Josh Weil talks about Chekhov’s rule: If you bring a gun into the story, then it must fire by the end. Weil reverses it to produce a new insight: “If you’re going to fire a gun at the end, you’d better bring it in near the beginning.” He goes on to discuss […]