Jane discusses building a digital presence, querying 15 years ago vs. now, agents vs. self-publishing, crowdfunding, and the future of publishing.
Blogger Tania Strauss of NY Book Editors discusses whether you should outline your novel before beginning to write.
Editor Jim Thomsen discusses freelance editing, story craft, favorite authors, and his own authorial aspirations.
Blogger and author Nina Amir explains how to turn your blog content into books and other information products.
The personal essay can provide an artful account of earned insight often more useful than years of therapeutic work.
More than 90% of young people say they want to write a book some day. So why does that inspire such cynicism among adults?
Thriller author Todd Moss describes his own marketing efforts and the marketing efforts of his Big Five publisher, Putnam, for his book The Golden Hour.
Should literary writers consider self-publishing? How it might affect their long-term careers? Two agents weigh in.
Learn about the likelihood of securing a traditional book deal after self-publishing.
On May 23, join me for a 9-city nationwide event at New Dominion Bookshop in Charlottesville, VA.
“Hybrid publishers” are services that don’t fit the definition of traditional publisher or self-publishing service. It can be hard to determine their value.
In this interview, Josip Novakovich discusses expectations vs. reality, the role of writing instruction, trends in writing, and more.
You’ve probably heard the adage that you must begin your novel with action—even if it’s not the main action of the book. While this rule is fairly well-accepted in fiction teaching circles, not everyone agrees with it.
Publishers rarely see any money in anthologies and frequently reject them. But one author was still able to find a home for her project.
Literary journals have done little to move beyond their gatekeeping function, and cling to a scarcity model that no longer works in the digital age.
What does it mean to “engage” with a community? And what’s the benefit?
As a teenager, I looked on my mother’s files with disdain and, later, with pity. How sad, I thought, to just move papers about and never really do the things you want to do. How tragic, to lock up a life in a box.
In this interview, author E. E. King (Elizabeth Eve King) explains her approaches to writing, humor, marketing, and publishing.
When we talk about plot as separate from the characters, the symbols, the locales, the dialogue, and the philosophical introspection, what we are doing is privileging events over everything else. But nothing exists in a vacuum.
If you can’t portray someone you know personally in a positive fashion, you will probably lose this friend and/or be sued for libel.